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Forget the script and get on the stage! In How to Improvise a Full-Length Play, actors, playwrights, directors, theater-group leaders, and teachers will find everything they need to know to create comedy, tragedy, melodrama, and farce, with no scripts, no scenarios, and no preconceived characters. Author Kenn Adams presents a step-by-step method for long-form improvisation, covering plot structure
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Kostenlos

In 1923 at the London St Martin’s theatre, the renowned theatrical producer Basil Dean demonstrated his new installation of Schwabe cyclorama lighting with an encircling Hasait cloth cyclorama. He was also supporting the importers, GEC, coining the name "Schwabe-Hasait" to describe and promote the combination. This name was a misnomer, the cyclorama and its lighting were independent and outside
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VORBESTELLEN

An accessible guide to the theatre directing process of text-based theatre, from the choice of the play through to an encounter with an audience.Moving from how to choose a play to the opening night, A Beginner's Guide to Directing Theatre takes the reader, via a step-by-step approach, through various techniques, practitioners, methodologies and exercises that could be applied to text-based
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"One of the strongest directors out there-an artist committed to making us see the world for what it is." - New YorkerWith his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater
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von Kevin Inouye …

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The Theatrical Firearms Handbook is the essential guide to navigating the many decisions that are involved in the safe and effective use of firearm props for both the stage and screen.This book establishes baseline safety protocol while empowering performers and designers to tell their story of conflict in a way that makes the most of both established convention and current tools of the trade.
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von Brian Kulick …

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This book begins with a phone call. You answer it and learn that you got the job. Several months from now you're going to stage a Shakespeare play. Now … what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven't a clue as to what the play is really about, or what you might want to do with it? How exactly do you preparefor
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