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Ratings and Reviews (2 41 star ratings
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    One of the best books of the year

    This debut is nearly perfect. Bennett writes with a gentle authority, pulling you into an engrossing narrative that has powerful, resonating undertones. It’s rare to find a book this good, this true, that on the one hand is about the aftermath of an abortion, but on the other is about simply (“simply,” ha) defining who you are, especially in relationship to your family, your community, and your past, younger self.
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    Great fiction debut

    ★★★½ “The book, I think, is about this central question of how girls grow into women when the female figures who are supposed to usher you into womanhood aren’t there. How girls come of age with that absence. And it’s about how communities are shaped by loss, this thing I keep writing about—how in moments of grief, community can be both a source of comfort and a source of oppression. My main character feels this responsibility to her community yet wants to escape it at the same time. And I was interested in this complexity, as well as the experience of being a young black woman in a community that expects a lot of her, in a world that expects very little.” I found the above insight in this online interview with the author and I think it summarizes The Mothers theme beautifully. Overall, I liked The Mothers and especially enjoyed reading the relationship dynamics written into this story in terms of family, friendship, church body, and a conservative small town. I appreciated Brit Bennett bringing attention to gender double standards, role expectations, and negative self-fulfilling prophecies. This was an interesting read that was both entertaining and thought provoking. If you enjoy reading a variety of themes within the literary fiction and women's fiction genres, check it out! My favorite quote: “Was that all it took, kneeling at the altar and asking for help? Or did you have to invite everyone in on your private sorrow to be saved?”
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