Two words twenty years after doesn't quite feel enough though does it?Heather and Carla haven't seen each other since school. Their lives have taken very different paths – Carla lives a hand-to-mouth existence while Heather has a high-flying career, husband and a beautiful home. And yet, here they are in a café having tea and making awkward conversation. That is until Heather presents Carla with a bag containing a significant amount of cash and an unexpect...

Winner of the Noel Coward Award for Best Entertainment or Comedy at the 2020 Olivier AwardsIn 1611 Emilia Bassano wrote a volume of radical, feminist and subversive poetry. It was one of the first published collections of poetry written by a woman in England. The little we know of Emilia Bassano is restricted to the possibility that she may have been the 'Dark Lady' of Shakespeare's Sonnets – and the rest of HerStory has been erased by History.Morgan has ta...

In her first collection of plays, Olivier award-winning playwright and screenwriter Morgan Lloyd Malcolm's talent for writing complex female characters is on dazzling display.Belongings (2011): "Malcolm's writing is sharp and witty but also very powerful in places. Her use of humour can be shocking but it helps to balance out the weighty issues being explored: guilt, gender and family politics, sex as both a commodity and a weapon. Touching, funny and brutal, t...

I'm doing this for her because this was my sister's dream. This isn't my natural habitat. I wouldn't normally choose this. But she would have.Two sisters. One dream. The hardest open-water swim in the world.This triumphant play from Olivier Award-winning writer Morgan Lloyd Malcolm moves forwards and backwards in time across the 21 miles between Dover and Calais as a young swimmer harnesses her mind and body to make the crossing.T...

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the sha...

In a mental health unit inside a prison, a group of women discover the music of punk rock band The Slits and form their own group. An outlet for their frustration, they find remedy in revolution. But in a system that suffocates, can rebellion ever be allowed?Written by Morgan Lloyd Malcolm (Emilia), Typical Girls is a funny, fierce and furious part-gig, part-play, co-commissioned by Clean Break theatre company.

A twisting two-hander, a psychological thriller from the acclaimed author of Belongings.Heather and Carla haven't seen each other since school. Their lives have taken very different paths – Carla lives a hand-to-mouth existence while Heather has a high-flying career, husband and a beautiful home. And yet, here they are in a café having tea and making awkward conversation. That is until Heather presents Carla with a bag containing a significant amount of cash and an unexpected propo...

Beware the teller as much as the tale.Awakened by the unimaginable horrors she's witnessed, Mina Harker demands your attention. You'd be wise to listen close.The only survivor of the tragic events chronicled in the famous letters, Mina is here to recount her version of Dracula's journey from Transylvania to London. Alongside trusted allies, and in memory of her beloved friend Lucy, they scramble to piece together the truth of his monstrous desires. But is t...

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre.Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues...

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions aboutThis anthology brings together a collection of 20 sce...

This collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia.Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial an...

Winner of an Abraham Lincoln Institute Book AwardThough not blind to Abraham Lincoln's imperfections, Black Americans long ago laid a heartfelt claim to his legacy. At the same time, they have consciously reshaped the sixteenth president's image for their own social and political ends. Frederick Hord and Matthew D. Norman's anthology explores the complex nature of views on Lincoln through the writings and thought of Frederick Douglass, Ida B. Wells-Barnett, Mary Mc...