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Ratings and Reviews (3 29 star ratings
3 reviews
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Overall rating

4.1 out of 5
29
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    😕😕😕

    This was soooooo not good people. Save yourselves!!!!
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    Talk about risky business.

    Talk about risky business. This story radiates so much heat that it feels like standing in front of a raging fireball. Olivia is not what I expected. She found an interesting but successful way to better her circumstances. She owns a strip club (partially anyway). She can hold her own with the big boys like larger than life King. But underneath that edgy personality lies a good girl at heart seeking a better life for herself. King is hard to take on a good day. Pompous, driven and used to getting his own way. Did I like him? Not so much, but the magnetic pull he gave off was hard to look away from. Over the top, extreme sensual stories are what M. Malone is good at and she stepped it up a notch with Bad King.
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    BAD KING by M. Malone

    BAD KING by M. Malone is the first installment in the multi-authored Club Prestige romance series. This is wealthy businessman Thane Carter Kinglsey IV (aka King), and Club Prestige co-owner Olivia Reyes’s story line. Told from dual third person perspectives BAD KING follows King as he searches for the ‘perfect’ girlfriend that will destroy his parents’ dreams. King has been given a time-line in which to find the perfect wife or lose control of his father’s empire. Enter strip club owner Olivia Reyes, the woman who will steal King’s heart. BAD KING is a quick read; a novella length story line that focuses on the present. The character and world development is limited; and the time line jumps days at a time where nothing is ever revealed. The relationship between King and Olivia is quick to develop but in this there is no sexual chemistry or spark between the couple-I never did feel connected to the characters which was disappointing because they are both colorful characters. King and Olivia know there are no plans for the future and that there is a deadline to their relationship so perhaps the ‘emotional’ detachment bled into my lack of connection. The $ex scenes are mostly implied, fade to black, and without the graphic sexual imagery.
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