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Ratings and Reviews (3 10 star ratings
3 reviews
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4.8 out of 5
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    Wonderful

    Another great book in the Roxton series if you love well researched regency period books with great caractors this is a must read
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    Proud mary

    Awesome book. Author lucinda brant is an amazing writer! !!
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    Brings the Roxtons down to earth...

    One thing Lucinda Brant does particularly well in The Roxton Family Saga, a perennial favorite of mine, is tugging at the strings of stories left hanging to be woven into later books. So, in this case, we get to know Lady Mary Cavendish, whom we have met ever-so-briefly in prior books: the ill-used wife of the obnoxious Gerald Cavendish. Now, however, Mary is a sensible widow in reduced circumstances, ready to do her duty by the Roxtons and her daughter, Teddy, marrying well to meet the demands of her family’s position. Both Mary and her hero, country squire Christopher Bryce, are a healthy distance from the loftiest heights of the Roxton inner circle (as far away as Antonia ever allows any family member), and provide an earthy, almost-but-not-quite populist balance to earlier books (and, one hopes, new, more rigorous blood—and political philosophy—to the family tree). Mary is the most practical and pragmatic of Brant’s heroines thus far, and Christopher is almost too steady and comfortable to be a hero in a sweeping romantic novel, with an unremitting sense of duty similar to the Duke of Roxton. The Roxton series is exceptionally good at showcasing the extravagant, over-the-top surroundings of a families of enormous wealth and aristocratic breeding. While characters do appear who are of more limited means or lesser class status (not usually both), the overwhelming majority of characters and settings highlight and glorify the opulence of the Georgian period. In this book, however, we are given a heroine who is of noble blood, but gentry spirit, and a hero with some money, but limited status. As important as meeting the heroine of this book, we meet her daughter Teddy, whom we have also seen in brief flashes in prior books, but who has intrigued from her first appearance. She is central to her mother’s life, and so must be central to the reader’s attentions. The contrast between the irrepressible, headstrong Teddy and [all but one of] the other children in Brant’s books has always been especially marked, even if brief. Brant includes children—one cannot populate a multi-generational family saga without them. However, with two notable exceptions (I made a prediction months ago about them, which I shall reveal in due course), they are loved deeply by the central characters in the books, but to some degree sidelined in the narrative. This is, in part, the nature of children who have less life experience to draw from; in part, the “arms’ length” Georgian child-rearing system; and in part, the authorial privilege of backgrounding different parts of the story. But because of this shunting aside, when the compelling and arresting Teddy—who will never, ever allow herself to be shunted anywhere—walks onto the stage in Proud Mary, she is in full-color, larger than life. When she is in the proscenium, you will not be able to look away. While Mary dithers, and Christopher quietly and competently ensures the safety of her family, each of these characters must come to terms in their own way with the fact that Christopher provides a sort of security to Mary and Teddy that cannot be bestowed by a title or instilled by great wealth.
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