The term "genocide"—"group killing"—which first appeared in Raphael Lemkin's 1944 book, Axis Rule in Occupied Europe, had by 1948 established itself in international law through the United Nations Convention on the Prevention and Punishment of the Crime of Genocide. Since then the charge of genocide has been both widely applied but also contested. In Genocide: The Act as Idea, Berel Lang examines and illuminates the concept of genocide, at once articulating difficulties i...

The term "genocide"—"group killing"—which first appeared in Raphael Lemkin's 1944 book, Axis Rule in Occupied Europe, had by 1948 established itself in international law through the United Nations Convention on the Prevention and Punishment of the Crime of Genocide. Since then the charge of genocide has been both widely applied but also contested. In Genocide: The Act as Idea, Berel Lang examines and illuminates the concept of genocide, at once articulating difficulties i...

In this volume, eminent scholar Berel Lang brings the perspective of philosophical analysis to bear on issues related to the Holocaust. Setting out from a conception of philosophical “witnessing” that expands and illuminates the standard view of the witness, he confronts the question of what philosophy can add to the views of the Holocaust provided in other disciplines. Drawing on the philosophical areas of political theory, ethics, aesthetics, and the philosophy of history, he draws atten...

Originally published in 1991, this book analyses the relation between writing and ethics in a number of social contexts – in politics, as language discloses its connections to the institutions of totalitarianism and democracy; in the university, as contemporary scholarly ideals find an uncomfortably accurate representation in the stylistic forms of academic writing; in daily social practice, ranging from the status of truth in journalistic writing to the connection between pronouns and aff...

Since Theodor Adorno's attack on the writing of poetry "after Auschwitz," artists and theorists have faced the problem of reconciling the moral enormity of the Nazi genocide with the artist's search for creative freedom. In Holocaust Representation, Berel Lang addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres "out of bounds" for the Holocaust? To what extent should artists be constrained...

In 1943, twenty-four-year-old Primo Levi had just begun a career in chemistry when, after joining a partisan group, he was captured by the Italian Fascist Militia and deported to Auschwitz. Of the 650 Italian Jews in his transport, he was one of fewer than 25 who survived the eleven months before the camp’s liberation. Upon returning to his native Turin, Levi resumed work as a chemist and was employed for thirty years by a company specializing in paints and other chemical coatings. Yet ...

The American-Jewish philosopher Berel Lang has left an indelible impression on an unusually broad range of fields that few scholars can rival. From his earliest innovations in philosophy and meta-philosophy, to his ground-breaking work on representation, historical writing, and art after Auschwitz, he has contributed original and penetrating insights to the philosophical, literary, and historical debates on ethics, art, and the representation of the Nazi Genocide.In honor of Berel ...