In the New Orleans of the '30s and '40s, things—and people—are supposed to be black and white. Cille and her light-skinned brothers are neither. They are "the color that looks not-quite white next to a white man, and not-quite colored next to a colored man. It was a non-color in a place where you had to be something." The daughter of a dreamy alcoholic father who introduces Cille to "Mr. Keats and Mr. Shelley" but who exits her life too soon, and a mother who teaches her children not the l...

Broadway legend Elaine Stritch stars as author Lillian Hellman in Peter Feibleman’s beguiling account of Hellman’s tumultuous relationship across several decades with a man 25 years her junior, played by Oscar nominee Bruce Davison.Accompanied by the original music of Carly Simon. Includes a conversation with Hellman scholar Deborah Martinson, author of Lillian Hellman: A Life with Foxes and Scoundrels.Recorded before a live audience at the Skirball Cultural Center...

With this issue we initiate the policy of expanding the scope of Tulane Studies in Philosophy to include, in addition to the work of members of the department, contributions from philosophers who have earned advanced degrees from Tulane and who are now teaching in other colleges and universities. The Editor THE LOGIC OF OUR LANGUAGE ROBERT L. ARRINGTON Wittgenstein wrote in the Tractatus that "logic is not a body of doctrine, but a mirror-image of the world. " 1 In line with his suggestion...