“A colossal cinematic achievement” —Richard Brody, the New YorkerA masterpiece of identity horror and a dark reflection on America’s past and present, Us presents chilly atmospherics, psychological torment and old-world suspense-building plot twists. Whereas Get Out was considered more a mixture of drama and suspense, Peele leaned fully into the horror genre with his sophomore film, using urban legends such as doppelgangers to tease out t...

Grounded on a passionate belief in the integrative and unifying function of art that further incarnates God's hospitality, the book argues that the projects of Chicago artist Theaster Gates are theological sites, places to encounter God and his truth concerning place, people, and things. By exploring Gates' practices, attention is drawn to corollary actions of God's care, reconciliation, and vivification of creation and culture. Hence, Gates' hospitality points to God's hospitality.