Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics.Contributors include: Philip Auslander, Rustom Bharucha, Tim Etchells, Jane Goodall, Guillermo Gomez-Pena, Jon Mckenzie, Claire MacDonald, Susan Melrose, Alphonso Lingis,...

A farcical comedy in which the protagonists maintain fictitious persona to escape burdensome social obligations. The play satirises social conventions of late Victorian London, and treats with triviality institutions as serious as marriage. The play opens with Algernon Moncrieff, an idle young gentleman, receiving his best friend, Jack Worthing (Ernest). Ernest has come from the country to propose to Algernon's cousin, Gwendolen Fairfax. Algernon refuses to consent until Ernest explains wh...

This volume contains Harold Pinter's first six plays, including The Birthday Party.The Birthday PartyStanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday TimesThe Room and The Dumb WaiterIn these two early...

This chronicle of vaudeville is "an essential (and very funny) history of American popular entertainment" (Greg Kotis, creator of Urinetown ).When Groucho Marx and Charlie Chaplin were born, variety entertainment had been going on for decades in America, and like Harry Houdini, Milton Berle, Mae West, and countless others, these performers got their start on the vaudeville stage. From 1881 to 1932, vaudeville was at the h...

"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre ReviewSamuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before ...

This comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.

'You have discovered a perishable treasure, and it is imperative to share it with other people before it fades... You have only one chance to get it right, while the impression is still fresh...'If critics often disagree among themselves over the merits of a given work, this is nothing compared to the wider argument about what the critic's role should be - Objective judge? Consumer guide? Provocateur? - and whether or not those practising criticism are living up to their d...

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway mus...

An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role.Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psych...

In this comprehensive, first and one-of-its-kind book, playwright and producer M. Stefan Strozier will guide you through how to produce a play or a musical in New York or Regional Theater, and how to become a professional producer yourself. The author will explain how to successfully produce theater on a shoestring, based on real experience and budgets in New York, where he was able to mount full productions at a tenth of what everyone else was doing. All aspects of theater are covered in ...

Theatre & Law offers the first comprehensive account of the complex relations between legal process and performances. Through ten major principles of performance within law, it establishes how law itself is a performative mode of practice and reflects upon the co-dependence of law, performance and politics in celebrated works of theatre.

* New play Joe opens 8/02 at NYC's P.S. 122 * Directing Henry IV at Brooklyn Academy of Music, Spring 2003 18 plays in the collection Performed work all over the world as well as many numerous performance spaces throughout the U.S