Observing European debates about EuroDisney, McDonald's, Hollywood films and television programs, and other vehicles of alleged 'Americanization,' one might imagine that Europe was in serious risk of losing its distinct cultural identity in the melting pot of American pop culture. The loaded charge of 'kitsch' is a central aspect of the debate, with Disney stories, for example, branded as simplified travesties of authentic European folk tales. But the relationship between European and Amer...

A Financial Times Best Book of the YearA Guardian Best Architecture Book of the Year“Sharp, revealing, funny.”—The Guardian“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”—The EconomistArchitecture, we like to believe, is an elevated art form...

Why do well-educated antiwar activists call the president of the United States “the new Hitler” and argue that the U.S. government orchestrated the September 11 attacks?Why does Al Gore believe that cars pose “a mortal threat to the security of every nation”?Why does the Princeton professor known as the father of the animal rights movement object to humans eating animals but not to humans having sex with them—and why does PETA defend that position?In other words, wh...

The story of how our bottomless appetite for novelty, gossip, and melodrama has turned everything—news, politics, religion, high culture—into one vast public entertainment.Neal Gabler calls them "lifies," those blockbusters written in the medium of life that dominate the media and the national conversation for weeks, months, even years: the death of Princess Diana, the trial of O.J. Simpson, Kenneth Starr vs. William Jefferson Clinton. Real Life as Entertainment is hardly a new phe...

Renowned designer, author, critic, co-chair of SVA’s MFA program in design and National Design Award recipient Steven Heller reaches into the most contemplative recesses of his mind to offer an entertaining new collection of ruminations on the nature and future of design. In Design Cult-the first of a series of three titles published exclusively as e-books through the DesignFile consortium-Heller expounds on such disparate topics as Milton Glaser, Japanese masks, ...

Debunking the myth of the "Americanization" of Europe, a noted historian presents an authoritative and engrossing cultural history of how America tried to remake Europe in its own image, and how the Europeans successfully retained their identity in the face of American mass culture. Pells provides a new paradigm for understanding the survival of local and national cultures in a global setting.

In this landmark collection, Patricia Hampl and Elaine Tyler May have gathered fourteen original essays from award-winning memoirists and historians. They are all storytellers, wrestling with a fascinating gray area where memory intersects with history and where the necessities of narrative collide with mundane facts. and whether the record emerges from archival sources or from personal memory, these writers show how to make the leap to telling a good story—while also telling us true....

Allan Antliff is the Canada Research Chair at the University of Victoria. He is the author of Anarchist Modernism: Art, Politics and the First American Avant-Garde, has written extensively for the anarchist press, and is currently contributing editor to the Alternative Press Review and art editor of Anarchist Studies.

A "smart and fascinating" reassessment of postwar American culture and the politics of the 1960s from the author of From Counterculture to Cyberculture ( Reason Magazine).We tend to think of the sixties as an explosion of creative energy and freedom that arose in direct revolt against the social restraint and authoritarian hierarchy of the early Cold War years. Yet, as Fred Turner reveals in The Democratic Surround, the decades that brough...

The leading lexicon of contemporary art returns in an expanded, full-color third edition.An indispensable guide for art-world neophytes and seasoned professionals alike, the best-selling ArtSpeak returns in a revised and expanded third edition, illustrated in full color. Nearly 150 alphabetical entries—30 of them new to this edition—explain the who, what, where, and when of postwar and contemporary art. These concise mini-essays on the key terms of the art...

9.5 Theses on Art and Class seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art to the troubled status of "outsider" and street art to the question of how we maintain faith in art itself.Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.

During the 1920s and 1930s, in cities from Beijing to Bombay, Tokyo to Berlin, Johannesburg to New York, the Modern Girl made her sometimes flashy, always fashionable appearance in city streets and cafes, in films, advertisements, and illustrated magazines. Modern Girls wore sexy clothes and high heels; they applied lipstick and other cosmetics. Dressed in provocative attire and in hot pursuit of romantic love, Modern Girls appeared on the surface to disregard the prescribed roles of dutif...