El amor brujo (trans. "Love, the Magician") is a theater work by the Spanish classical composer Manuel de Falla. It showcases flamenco, the music of the Gitanos who traditionally form Spain's underclass. When it premiered in Spain in 1915, it proved controversial: some Spanish critics applauded Falla for celebrating the music of a marginalized culture while others attacked his mixing of classical and popular idioms. Since then, El amor brujo has intrigued arrangers and ar...

Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomati...

Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics—identity, the body, religion, and more—and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts. With its brisk and engaging writing, this volume covers nearly fifty genres and provides both students and instructors with online access to audio tracks and listening guides...

Winner of the 2015 Robert M. Stevenson Award from the American Musicological Society In Representing the Good Neighbor: Music, Difference, and the Pan American Dream, Carol A. Hess investigates the reception of Latin American art music in the US during the twentieth century. Hers is the first study to probe Latin American art music in relation to Pan Americanism, or the idea that the American nations are bound by common aspirations. Under the Good Neighbor policy,...

Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges.In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony in Europe from its origins into the 20th century. In Volume V, Brown's former students and colleagues continue his vision by turning to the symphony in the Western Hemisphere. It examines the work of numerous symphonists active from the early...

Pickett’s Charge, the assault on the Union lines on Cemetery Ridge ordered by Robert E. Lee on 3 July 1863, the last day of the Battle of Gettysburg, holds a central place in the nation’s collective memory of the Civil War. Available for the first time as an Omnibus E-book Edition, this two-volume set provides readers with an integrated view of the Charge, from the battlefield to the American imagination. The Omnibus comprises Earl J. Hess’s Pickett’s Charge: The Last Attack at Gettysb...

Written by leading construction law practitioners, the Forum on the Construction Law's newly updated textbook Construction Law, Second Edition meets the pressing need for a comprehensive law school textbook. It provides a complete orientation to the construction industry and its processes, and it can be used for introductory survey courses or more advanced courses oriented towards litigation or transactions.Construction Law, Second Edition examines the roles of th...

Lens of War grew out of an invitation to leading historians of the Civil War to select and reflect upon a single photograph. Each could choose any image and interpret it in personal and scholarly terms. The result is a remarkable set of essays by twenty-seven scholars whose numerous volumes on the Civil War have explored military, cultural, political, African American, women’s, and environmental history.The essays describe a wide array of photographs and present an eclecti...