Volume 34 of Theatre History Studies revisits the foundations of theatre, explores the boundaries and definitions of theatre, and illuminates how writing about the history of theatre is itself a form of historiography.The five essays are arranged chronologically, starting with Alan Sikes’s discussion of the Abydos Passion Play. Sikes challenges the long-held interpretation of that ritualized annual reenactment of the death, dismemberment, and return to life of Egyptian god...

The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wi...

When the Democrats retook control of the U.S. House of Representatives in January 2007 after twelve years in the wilderness, Nancy Pelosi became the first woman speaker in American history. In Speaker Nancy Pelosi and the New American Politics, Ron Peters, one of America's leading scholars of Congress, and Cindy Simon Rosenthal, one of America's leading scholars on women and political leadership, provide a comprehensive account of how Pelosi became speaker and what this tells us a...

Late Stage: Theatrical Perspectives on Age and Aging represents the first comprehensive anthology to critically interrogate the intersection of age studies with theater and performance studies. Undoing the notion of a singular, continuous self as we age—an assumption that negatively positions old age in opposition to youth—this volume challenges biological imperatives imposed by essentialist views of aging. Late Stage reconceptualizes age as an additional dimension of ide...

The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performances in the 1960s. While much critical attention has been focused on experimental and radical theater of the period, the essays confirm that mainstream performances not only merit more scholarly attention than they have received, but through serious examination provide an important key to understanding the 1960s as a period.The introd...