Before the world knew Kerouac, Ginsberg, and Cassady, this "brilliant and important" novel chronicled the author's early years among the Beats ( Los Angeles Free Press).Published five years before On the Road, this candid and perceptive roman à clef chronicles the adventures of Jack Kerouac, Allen Ginsberg, and Neal Cassady before they became literary icons. In dive bars and all-night diners, cabs racing across Manhattan and squalid apartments sti...

The chief chronicler of the Beat Generation portrays the hangover that followed the giddy early days of the movement in this poignant follow-up to GoDan Verger and May Delano share a loft in New York City, but the passion that brought them together has turned brittle and sour, much like the boozy parties and late-night discussions that so thrilled them a few years ago. The brightest lights of their circle have moved on—visionary poet David ...

From the acclaimed Beat Generation author of Go: The classic jazz novel of New York's bebop scene and a brilliant musician's tragic fall.Edgar Pool came up with the big bands. He spent the 1930s crisscrossing the country, playing in only the finest dance halls. In those days, a saxophone player was expected to stay on the beat, to swing without getting too hot. But Edgar—whom the young men called "the Horn"—couldn't help but rebel. His sound was always far-...

The novel that launched the beat generation's literary legacy describes the world of Jack Kerouac, Allen Ginsberg and Neal Cassady. Published two months before Kerouac began ON THE ROAD, GO is the first and most accurate chronicle of the private lives the Beats lived before they became public figures. In lucid fictional prose designed to capture the events, emptions and essence of his experience, Holmes describes an individualistic post-World II New York where crime is celebrated, writing ...

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac’s life they were—in Holmes’s words—“Brother Souls.” Both were neophyte novelists, hungry for literary fame but just as hungry to find a new way of responding to their experiences in a postwar American society that for them had lost its direction. Late one night as they sat talking, Kerouac spontaneously created the term “Beat Generation” to describe this new attitude they felt stirring...

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were—in Holmes's words—"Brother Souls." Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes.

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were--in Holmes's words--"Brother Souls." Both were neophyte novelists, hungry for literary fame but just as hungry to find a new way of responding to their experiences in a postwar American society that for them had lost its direction. Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirri...