Recapturing Eternity is about the disillusioning and painful journey that many saints are presently experiencing in their search for God. It was written for the misfits who have dared to ask the hard questions. It’s for my fellow trouble makers, who wonder if the Western church’s current trajectory is spiraling in the wrong direction. This book is for untold thousands of saints who feel their hearts rebelling against it. Recapturing Eternity is for those with a nagging suspicion that our c...

Now in its fifth edition, this guide to project work continues to be an indispensable resource for all students undertaking research.Guiding the reader right through from preliminary stages to completion, The Research Project: How to write it sets out in clear and concise terms the main tasks involved in doing a research project, covering:* choosing a topic* using the library effectively* taking notes* shaping and composing the project* p...

In this lucid and original study, first published in 1972, Ralph Berry discusses the ten comedies that run from The Comedy of Errors to Twelfth Night. Berry’s purpose is to identify the form of each play by relating the governing idea of the play to the action that expresses it. To this end the author employs a variety of standpoints and techniques, and taken together, these chapters present a lively and coherent view of Shakespeare’s techniques, concerns, and development...

This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.

For producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.

First published in 1981.Each of Shakespeare's plays is in a continuous state of development in performance. This book examines major changes whilst focusing on six plays in detail: Coriolanus, Measure for Measure, Troilus and Cressida, Henry V, Hamlet and Twelfth Night.Changing Styles in Shakespeare looks at representative and key productions to trace the evolution of each play on today's stage, illustrating how production changes relate to a changed perce...

These studies take stage history as a means of knowing the play. Half of the studies deal with casting - doubling, chorus and the crowd, the star of Hamlet and Measure for Measure. Then the transformations of dramatis personae are analyzed and The Tempest is viewed through the changing relationships of Prospero, Ariel and Caliban. Some of Shakespeare’s most original strategies for audience control are studied, such as Cordelia's asides in King Lear, ...

Shakespeare’s use of location governs his dramas. Some he was personally familiar with, like Windsor; some he knew through his imagination, like Kronborg Castle (‘Elsinore’); some matter because Shakespeare’s plays were performed there, like Hampton Court and the Great Hall of the Middle Temple. Shakespeare’s plays are powerfully shaped by their sense of place, and the location becomes an unacknowledged actor. This book is about the locations that he used for his plays, each of which the a...

The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This ti...

First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, Kin...

Winner of an Abraham Lincoln Institute Book AwardThough not blind to Abraham Lincoln's imperfections, Black Americans long ago laid a heartfelt claim to his legacy. At the same time, they have consciously reshaped the sixteenth president's image for their own social and political ends. Frederick Hord and Matthew D. Norman's anthology explores the complex nature of views on Lincoln through the writings and thought of Frederick Douglass, Ida B. Wells-Barnett, Mary Mc...

Worlds of If was a three time winner of the Hugo Award for best science fiction magazine. Worlds of If discovered many talented writers who would go on to dominate genre fiction. This is the third in our Worlds of If series with even more memorable stories from its tremendous run. ‘The Yillian Way’ by Keith Laumer ‘Homo Inferior’ by Mari Wolf ‘The Talkative Tree’ by H.B. Fyfe ‘Show Business’ by Boyd Ellanby ‘The One and the Many’ by Milton Lesser ‘The Stowaway’ by Alvin Heiner ‘Sound of Te...