Makes the case that philosophy has an essential role to play in the serious study of film.William Rothman has long been considered one of the seminal figures in the field of film-philosophy. From his landmark book Hitchcock: The Murderous Gaze, now in its second edition, to the essays collected here in Tuitions and Intuitions, Rothman has been guided by two intuitions: first, that his kind of film criticism is philosophy; and second, that such a m...

Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.From The World Viewed to Cities of Words, writing about movies was strand over strand with Stanley Cavell's philosophical work. Cavell was one of the first philosophers in the United States to make film a significant focus of his thought, and Wil...

An expanded edition of a classic work of film criticism, with a provocative and eloquent new chapter on Marnie, Hitchcock's most heartfelt—and most controversial—film.First published in 1982, William Rothman's Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows si...

William Rothman argues that the driving force of Hitchcock’s work was his struggle to reconcile the dark vision of his favorite Oscar Wilde quote, Each man kills the thing he loves,” with the quintessentially American philosophy, articulated in Emerson’s writings, that gave classical Hollywood movies of the New Deal era their extraordinary combination of popularity and artistic seriousness. A Hitchcock thriller could be a comedy of remarriage or a melodrama of an unknown woman, both Emers...

The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as wel...

Today’s film scholars draw from a dizzying range of theoretical perspectives—they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming.Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei...

The editors at www.fantasticstoriesoftheimagination.com present thirty-two wonderful tales of fantasy in this completely revised second edition text. More than seven hundred and fifty pages for your reading pleasure. Escape today! 'Immortal' by Shariann Lewitt; 'The Thing in the Attic' by James Blish; 'To Serve A Prince' by B.W. Clough; 'Red Nails' by Robert E. Howard; 'Your Name Is Eve' by Michael M. Jones; 'The Knights of Arthur' by Frederik Pohl; 'Go Through' by Alma Alexander; 'Piper i...

Gender-based violence (GBV) can take many forms and have detrimental effects across generations and cultures. The triangulation of GBV, rurality and rural culture is a challenging and essential topic and this edited collection provides an innovative analysis of GBV in rural communities.Focusing on under-studied and/or oppressed groups such as immigrants and LGBTQIA+ people, the book explores new theories on patterns of violence. Giving insights into GBV education and prevention, th...

When talking about the Enlightenment, ornithology is seldom the first topic of conversation. Still, Enlightenment and ornithology converge in one important respect, that of abundance. In our time, new-wave ornithologists have renewed their faith in eighteenth-century expectations for the discovery of a gigantic number of bird species. It is at this intersection between abundant modern science and ambitious Enlightenment ideology that this remarkable collection of five essays on Alexander W...

"Refreshing.... Asks urgent questions about female ambition. Fans of Lab Girl have found a worthy successor."— Real SimpleA powerful debut novel—a wonderfully engaging infusion of Lab Girl, The Assistants, and Eleanor Oliphant Is Completely Fine—that pits the ambition of scientific discovery against the siren call of love.Emily Apell arrives in Justin McKinnon's renowned research lab with the single-minde...

A collection of the philosopher Stanley Cavell's most important writings on cinema.Stanley Cavell was the first philosopher in the Anglo-American tradition to make film a central concern of his work, and this volume offer a substantially complete retrospective of his writings on cinema, which continues to offer inspiration and new directions to the field of film and media studies. The essays and other writings collected here include major theoretical statements and...

Assesses the range and magnitude of Robert Gardner's achievements as a filmmaker, photographer, writer, educator, and champion of independent cinema.During his lifetime, Robert Gardner (1925–2014) was often pigeonholed as an ethnographic filmmaker, then criticized for failing to conform to the genre's conventions-conventions he radically challenged. With the release of his groundbreaking film Dead Birds in 1963, Gardner established himself as one of the wo...