A deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justiceIn recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely...

This article reads Willard Huntington Wright's work against his anxieties about cultural hierarchy and value, utilizing archival work in Wright's papers at the University of Virginia and unearthing a previously unknown series of crime stories that he published under another pseudonym a decade before his success as bestselling detective novelist S. S. Van Dine. The author argues that Wright's work in popular fiction provides a special opportunity for interrogating the highbrow/lowbrow divid...

It is the 1930s and John P. Moore, an ambitious author, has just had his first story, a science fiction tale featuring the adventures of scientists and journalists taking the first trip to the planet Mars, published in Amazing Stories.But you won't find that story, along with its two sequels, inside the pages of any copy of Amazing Stories – not in a pulp magazine collector's vault, not on the internet archive and that is because the Amazing Stories that published ...

From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity.The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongs...