What we feel shapes what we believe. What if we could feel the future before it arrives?When disaster survivor Ambra Lightstone is confronted by an otherworldly stranger, she is set on a collision course with the vengeful heir of a hidden civilisation, and must prevent him from unleashing a terrible force that will change the face of the earth - and to safeguard a technology that could save it.An action-adventure ranging from the canals of Venice, to the far northe...

What if we could feel the future before it arrives?When disaster survivor Ambra Lightstone is confronted by an otherworldly stranger, she is set on a collision course with the vengeful heir of a hidden civilisation, and must prevent him from unleashing a terrible force that will change the face of the earth - and to safeguard a technology that could save it.An action-adventure ranging from the canals of Venice, to the far northern Arctic, to remote outback Australi...

Yn ôl ysgolheigion ffeministaidd mae tystiolaeth bendant ynglŷn â'r ffordd y mae cyfraniad menywod i ddrama, theatr a pherfformiad yn aml iawn yn cael ei hepgor, ei 'ysgrifennu allan', ei osod ar yr ymylon yn ddiwylliannol a'i wneud yn anweledig. Ac mae'n ffaith nad oes fawr o astudiaeth o hanes y theatr yng Nghymru sydd naill ai'n cydnabod neu'n cynrychioli gwaith ysgrifennu menywod ar gyfer y theatr Gymraeg. Yn y cyd-destun hwn, mae'r gyfrol hon sydd yn ddilyniant i gyfrol arloesol Theat...