Few studies of Canadian cinema to date have engaged deeply with genre cinema and its connection to Canadian culture. Ernest Mathijs does just that in this volume, which traces the inception, production, and reception of Canada’s internationally renowned horror film, Ginger Snaps (2000). This tongue-in-cheek Gothic film, which centres on two death-obsessed teenage sisters, draws a provocative connection between werewolf monstrosity and female adolescence and boasts a dedicated worl...

In this follow up to their original 100 Cult Films volume, Ernest Mathijs and Xavier Mendik provide a guide to one hundred more incredible films, from the 1911 Italian silent Dante's Inferno to Ti West's horror trilogy X, Pearl (2022) and MaXXXine (2024).This richly illustrated guide addresses the work of filmmakers including Stanley Kubrick, Paul Verhoeven, Ana Lily Amirpour, Stephanie Rothman, Rob Reiner and Dario Argento, with movies hailing f...

Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences.Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warrior...

Bloody Women traces changing gender dynamics in the horror film industry to explore how women have played a crucial role in defining the genre of horror understood as a scholarly discipline, cultural institution, and site of pleasure. While acknowledging that women in the industry face ongoing challenges, this book focuses on their diverse contributions as creators, consumers, and critics of horror, showing how women have been essential in shaping the goals and methods of the genre. Aimed ...

Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives.Represents the first exhaustive introduction to cult cinemaOffers a scholarly treatment of a hotly contested topic at the center of current academic debateCovers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topi...

When released in 2003, The Room, an obscure, self-financed relationship drama by an eccentric self-taught filmmaker named Tommy Wiseau, should have been completely forgotten. Yet nearly two decades later, "the worst movie ever made"—as many a critic would have it—has become the most popular cult film since The Rocky Horror Picture Show.In You Are Tearing Me Apart, Lisa!, contributors explore this priceless cultural artifact, offering fans and film buffs c...

Throughout the history of film, censorship has existed everywhere—in all shapes, colours, and dimensions. The act of restricting the free production, circulation, screening, and consumption of movies was never unique to authoritarian regimes. Censorship has had far-reaching implications for filmmakers, distributors, exhibitors, and audiences across generations and across genres, including the self-censorship of audiences disciplined into particular viewership positions. Today, soft and har...

The Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible).Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issu...

Einstein Meets Magritte: An Interdisciplinary Reflection presents insights of the renowned key speakers of the interdisciplinary Einstein meets Magritte conference (1995, Brussels Free University). The contributions elaborate on fundamental questions of science, with regard to the contemporary world, and push beyond the borders of traditional approaches. All of the articles in this volume address this fundamental theme, but somewhere along the road the volume expanded to ...