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Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as ... Leia mais

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Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as
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de Andrzej Tuchowski, Maciej Gołąb ...

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This book concerns the ways in which many different types of nationalism, chauvinism and racism penetrated into musical thought in the interwar period, and how the leading artistic personalities of that period reacted to these ideologies. The concept of "nationalism" is understood broadly in this book and covers the entire spectrum of its positive and negative aspects. The topics listed in the ... Leia mais

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This book concerns the ways in which many different types of nationalism, chauvinism and racism penetrated into musical thought in the interwar period, and how the leading artistic personalities of that period reacted to these ideologies. The concept of "nationalism" is understood broadly in this book and covers the entire spectrum of its positive and negative aspects. The topics listed in the
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The Cambridge Companion to Ballet

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Ballet is a paradox: much loved but little studied. It is a beautiful fairy tale; detached from its origins and unrelated to the men and women who created it. Yet ballet has a history, little known and rarely presented. These great works have dark sides and moral ambiguities, not always nor immediately visible. The daring and challenging quality of ballet as well as its perceived 'safe' nature is ... Leia mais

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Futuromania

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A collection of writing by Simon Reynolds, centered on music that seemed, in its moment, to prefigure the FutureSimon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future—the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way ... Leia mais

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Rudolf Laban

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Séries Livros: 10 - Eastern European Studies in Musicology
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The Musical Matrix Reloaded

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From the Kingdom of Kongo to Congo Square

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The Kolbergs of Eastern Europe

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This book draws attention to the reception of Oskar Kolberg’s folklorist’s work outside of Poland. It also presents the work of other scholars active in Eastern Europe from the nineteenth century to the present day, many of them poorly known, despite their lofty achievements. The contributions by authors from Lithuania, Belarus, Ukraine, Russia, Slovakia and Poland reflect on how Kolberg’s work is ... Leia mais

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Eine Geographie der Triosonate

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DJing in New York

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Séries series Contemporary Music Making and Learning
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DJing in New York depicts the initial learning processes of a group of underground electronic dance music club DJs in New York and follows them throughout a portion of their career to gain insights as to what and how these popular musicians learn, develop careers and thrive.What unfolds is a story of a social process of musical learning in which DJs develop strong networks of friendship to
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There and Black Again

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Don Letts – filmmaker, musician, DJ, broadcaster, social commentator, husband and father – has always defied conformity. A British-born son of Windrush parents, he seamlessly pivoted between London’s punk and reggae scenes – earning his reputation as the ‘Rebel Dread’. In There and Black Again, Don Letts looks back on his exceptional life, which has seen him befriend Bob Marley after sneaking into ... Leia mais

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The end-of-the-century party

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de Steve Redhead ...

Madchester may have been born at the Haçienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the ... Leia mais

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Beethoven’s Irish Songs Revisited

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de Tomás Ó Súilleabháin, Margaret O'Sullivan Farrell, Carysfort Press Ltd. ...

Beethoven’s seventy-two settings of traditional Irish airs constitute his most prolific output in any genre. The arrangements were commissioned in the early nineteenth century by the Scottish editor and publisher, George Thomson, who sent airs, but no texts, to Beethoven. Poetry, mostly by less well-known poets, was attached to the finished settings before publication by Thomson, and perhaps ... Leia mais

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Beethoven’s seventy-two settings of traditional Irish airs constitute his most prolific output in any genre. The arrangements were commissioned in the early nineteenth century by the Scottish editor and publisher, George Thomson, who sent airs, but no texts, to Beethoven. Poetry, mostly by less well-known poets, was attached to the finished settings before publication by Thomson, and perhaps
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During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map
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On the Blackness of Flamenco

de K. Meira Goldberg ...

Séries series Currents in Latin American and Iberian Music
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which ... Leia mais

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How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which
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de Gabor Palos ...

For the price of just one group class, this book is a practical guide for learning the leader's part of the swing dance known as Lindy Hop. Includes information on swing music and swing dancing, description of basic and intermediate 8-count and 6-count steps, Charleston steps, break steps and footwork variations, dancing to fast and slow music, tips on learning to dance, group classes, practicing ... Leia mais

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For the price of just one group class, this book is a practical guide for learning the leader's part of the swing dance known as Lindy Hop. Includes information on swing music and swing dancing, description of basic and intermediate 8-count and 6-count steps, Charleston steps, break steps and footwork variations, dancing to fast and slow music, tips on learning to dance, group classes, practicing
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Performing Queer Modernism

de Penny Farfan ...

Focusing on some of the best-known and most visible stage plays and dance performances of the late nineteenth- and early twentieth-centuries, Penny Farfan's interdisciplinary study demonstrates that queer performance was integral to and productive of modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated, and ... Leia mais

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Focusing on some of the best-known and most visible stage plays and dance performances of the late nineteenth- and early twentieth-centuries, Penny Farfan's interdisciplinary study demonstrates that queer performance was integral to and productive of modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated, and
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No Need To Turn Back Time: Fan's Tribute to Cher

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