What is Chekhov’s method of ensuring audience participation? What does his stage direction ‘through tears’ mean? What happens between the first and second acts of The Seagull? Is there any reason for the despondency in Chekhov’s drama? This book, first published in 1972, discusses these questions and many other issues around Chekhov’s last four plays. David Magarshack, the leading translator and biography of many of Russia’s greatest writers, closely examines Chekhov’s work for th...

The discovery of Sir Robert Boniface's body on the floor of his limousine was made quite accidentally on a sultry Friday evening towards the end of June. The industrial and financial tycoon, and former stalwart of the British Cabinet, was shot in the head and left in the quiet Vale of Health. Nearby, a rejected portrait of Sir Robert is found riddled with bullets in the studio of the now missing artist Matt Caldwell. As it hurtles towards its feverish denouement under the bells of the capi...

Ilya Ilyich Oblomov is a member of Russia's dying aristocracy - a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the bustle and activity necessary to participate in the real world, Oblomov manages to avoid work, postpone change and - finally - risks losing ...

This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicis...