What can queer feminist writing strategies such as parody and irony do to outsmart the sexism of smart objects, environments and materials and open out the new dialecticism of structure and scale, critique and creativity?Drawing on science and technology studies and feminist theory, this book examines the gendering of current and future media technologies such as smart phones, Google glass, robot nurses, tablets and face recognition. Kember argues that there is a tendency to affirm...

Cyberfeminism and Artificial Life examines the construction, manipulation and re-definition of life in contemporary technoscientific culture. It takes a critical political view of the concept of life as information, tracing this through the new biology and the discourse of genomics as well as through the changing discipline of artificial life and its manifestation in art, language, literature, commerce and entertainment. From cloning to computer games, and incorporating an analysi...

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world when so much of the writing through which we grapple with it remains deeply problematic?In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlightin...

Whose Book is it Anyway? is a provocative collection of essays that opens out the copyright debate to questions of open access, ethics, and creativity. It includes views – such as artist’s perspectives, writer’s perspectives, feminist, and international perspectives – that are too often marginalized or elided altogether.The diverse range of contributors take various approaches, from the scholarly and the essayistic to the graphic, to explore the future of publishing based o...

WW2 is raging in the skies over England. But for Kember and Hayes there is murder underground.January 1941. The Luftwaffe continues its assault on Britain from the sky, but ATA pilot Lizzie Hayes is grounded after a crash. Itching to be of use, she hears that DI Kember is investigating the death of a coal miner in Kent and sees her chance to help. They discover the miner died from carbon monoxide poisoning but Kember instinctively suspects foul play. Was it an acci...

This book demonstrates how and why vitalism - the idea that life cannot be explained by the principles of mechanism - matters now. Vitalism resists closure and reductionism in the life sciences whilst simultaneously addressing the object of life itself. The aim of this collection is to consider the questions that vitalism makes it possible to ask: questions about the role and status of life across the sciences, social sciences and humanities and questions about contingency, indeterminacy, ...

Even in wartime, the deadliest threat can be terrifyingly close to home…December 1940. With the Blitz devastating Britain’s cities, Lizzie Hayes and the women pilots of the Air Transport Authority are more crucial to the war effort than ever before. But when the relative peace of the village of Scotney is shattered by the disappearance of the Chief Inspector’s niece, it’s Lizzie’s training as a psychologist that draws her into another disturbing police case alongsi...

In this tense thriller set on a WW2 airbase, a female pilot faces danger in the sky—and a murderer on the ground.July 1940. As the Battle of Britain begins, the women of the Air Transport Auxiliary carry out the dangerous task of ferrying warplanes to RAF airbases. But for the ATA detachment sent to the base at Scotney, it’s not only in the skies that they’re a target—it seems a killer is stalking them on the ground…On the day pilot Lizzie Hayes arrives in ...