Showing results for "daniel albright"
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Music's Monisms
Disarticulating Modernism
2021
EN
Daniel Albright investigates musical phenomena through the lens of monism, the philosophical belief that things that appear to be two are actually one.Daniel Albright was one of the preeminent scholars of musical and literary modernism, leaving behind a rich body of work before his untimely passing. In Music's Monisms, he shows how musical and literary phenomena alike can be fruitfully investigated through the lens of monism, a philosophical conviction tha...
Putting Modernism Together
Literature, Music, and Painting, 1872–1927
- Series -
- Hopkins Studies in Modernism
2015
EN
A powerful introduction to modernism and the creative arts it inspired.How do you rationally connect the diverse literature, music, and painting of an age? Throughout the modernist era—which began roughly in 1872 with the Franco-Prussian War, climaxed with the Great War, and ended with a third catastrophe, the Great Depression—there was a special belligerence to this question. It was a cultural period that envisioned many different models of itself: to the Cubists,...
Berlioz, Verdi, Wagner, Britten
Great Shakespeareans: Volume XI
- Series -
- Great Shakespeareans
2014
EN
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.In this volume, leading scholars assess the contribution of Berlioz, Verdi, Wagner and Britten to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the fi...
Panaesthetics
On the Unity and Diversity of the Arts
2014
EN
While comparative literature is a well-recognized field of study, the notion of comparative arts remains unfamiliar to many. In this fascinating book, Daniel Albright addresses the fundamental question of comparative arts: Are there many different arts, or is there one art which takes different forms? He considers various artistic media, especially literature, music, and painting, to discover which aspects of each medium are unique and which can be ôtranslatedö from one to another. Can a...
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The Last Pre-Raphaelite
Edward Burne-Jones and the Victorian Imagination
2011
EN
Winner of the James Tait Black Memorial Prize, this is the biography of celebrated nineteenth-century artist Edward Burne-Jones, who - with William Morris - connects Victorian and modern art.'A triumph of biographical art.' Independent'Magnificent.' Guardian'Rarely are biographies both as authoritative and engaging as this.' Literary ReviewThe angels on our ...
2011
EN
Since his death 100 years ago, Cézanne has become the most famous painter of the nineteenth century. He was born in Aix-en-Provence in 1839 and the happiest period of his life was his early youth in Provence, in company with Emile Zolá, another Italian. Following Zolá’s example, Cézanne went to Paris in his twenty-first year. During the Franco-Prussian war he deserted the military, dividing his time between open-air painting and the studio. He said to Vollard, an art dealer, “I’m only a pa...
2014
EN
Named by The Times as the all-time number one crime writer, Patricia Highsmith was an author who broke new ground and defied genre clichés with novels such as The Talented Mr Ripley and Strangers on a Train.In the classic creative writing guide Plotting and Writing Suspense Fiction, Highsmith reveals her secrets for producing world-class crime and thrillers, from imaginative tips for generating ideas to useful ways of turning them into stunning st...
2011
EN
Piet Mondrian (1872-1944), who can be assigned to the school of classical modernism, was born in Amersfort, Netherlands. After studying in Amsterdam, he started his artist´s career in the impressionist style as a figure and landscape painter. His works from these years showed the influence of Vincent Van Gogh (1853-1890) and of Fauvism, a French school from the beginning of the 20th century. When he traveled to Paris in 1911, he discovered Pablo Picasso´s works (1881-1973) and, with that, ...
The Curious Enlightenment of Professor Caritat
A Novel of Ideas
2014
EN
The Curious Enlightenment of Professor Caritat is a brilliant fictional journey through Western political philosophy by one of our most original thinkers. Professor Caritat, a middle-aged Candide, walks naively through the neighbouring countries of Utilitaria, Communitaria and Libertaria, in his quest to find the best of all possible worlds. Cut loose from the confines of his ivory tower, this wandering professor is made to confront the perplexed state of modern thinking in this d...
2014
EN
An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art ...
Art Beyond Representation
The Performative Power of the Image
2010
EN
Refuting the assumption that art is a representational practice, this book engages with the work of Heidegger, Deleuze and Guattari, C.S. Pierce and Judith Butler. It argues for a performative relationship between art and artist. Drawing on themes as diverse as the work of Cezanne and Francis Bacon, the transubstantiation of the Catholic sacrament, and Wilde's novel "The Picture of Dorian Gray", she challenges the metaphor of light as entertainment. She suggests that too much "light" may i...
2010
EN
Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’.An outstanding series of chapters by an international group of contributors examine the following que...











