Book of Sides II: Original, Two-Page Scenes for Actors and Directors is the second book in the Book of Sides series by Dave Kost, featuring original, two-page, two-character scenes for use in acting, directing, and auditioning classes. While shorter than the traditional three-to-six-page scenes commonly used in classes, Book of Sides II features longer scenes than the first Book of Sides with greater character development, more reversals, and stronger cl...

Looking for fresh, original scenes for your fast-paced acting or directing class? Tired of the same old material everyone recognizes? Want the flexibility to play any character in any scene?Book of Sides: Original, Short Scenes for Actors and Directors offers scenes that are considerably shorter than those in similar books but still feature the structure of typical scenes with arcs, clear playable objectives, and stakes for both actors. Here you will find scenes that are:...

On Low Budget Film Making is a book that contains interviews with many young and upcoming digital film makers. Most of these interviews were conducted while they were in the middle of production. This book was written to aid those who wish to become film makers by someone who believed that the best way to lear is from those who are putting in the time and sweat equity.This is a digital film making manual that feature many inspirati...

Stone himself serves as guide to this no-holds-barred retrospective—an extremely candid and comprehensive monograph of the renowned and controversial writer, director, and cinematic historian in interview form.Over the course of five years, Academy Award-winning filmmaker Oliver Stone (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden) and New York Times be...

Women in Filmmaking and Their Struggle Against Bias"After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels" –Ann Richards#1 Bestseller in Acting & Auditioning, Performing Arts, and Guides & ReviewsWomen in filmmaking since the beginning. Women have been instrumental in the success of American cinema since its very beginning. One of the first peop...

How do you prepare for your first day on the set? Why might a bad audition lead to a good job offer? How should you research? What's the effect of a long tour on your love-life? Can you have a glass of wine before a matinee? What's the difference between transitive and intransitive corpsing? What is stage fright?In Michael Pennington's highly personal guide and memoir there are sections on rehearsals, on television then and now, on who does what on a film set, on the disciplines an...

Jim Clark shares his experiences as a highly successful film editor at a time when films were a true collaboration of talented individuals. The legendary "Doctor" Clark was the man who could make sick films healthy again. The role of editor in the collective collaborative process that is the making of any film is massively important but not one that is generally recognized outside the small pond that is the filmmaking community. In this wonderfully enjoyable memoir this point becomes stead...

The Science and Art of Acting for the Camera provides a precise yet practical approach to help unlock the mysteries of acting for film and television. Written by veteran actor, producer, and director John Howard Swain, the book offers a clear-cut, no-nonsense technique that equips aspiring or working actors with the necessary skills to succeed on camera. The technique teaches you how to build multi-dimensional characters; construct truthful and exciting relationships; ignite stimu...

How does the production of performance engage with the fundamental issues of our advanced neo-capitalist age?André Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, a...

The unsung heroes of film, storyboard artists are the first to give vision to a screenplay, translating words on the page into shots for the screen.Their work is a unique art form in itself. Many storyboards are beautiful in their own right, but ultimately the skill of the artist lies in their visual communication of a script, with multiple factors to consider: composition, movement, camera angles, special effects, and the rhythm and pacing of a scene.The Art of Movie Story...

This study sees the nineteenth century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly,” “spectral” or “haunted” medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating conn...

The history of Philadelphia television is the history of television in America. Philo Farnsworth, credited with inventing television, performed some of his earliest experiments at the Franklin Institute and at 1230 Mermaid Lane. Those experiments led to the city's first television station, W3XE. Channel 3 was also the first local station in the country to broadcast in color. WCAU-TV Channel 10 constructed the first building in the world designed specifically as a television station. WFIL c...