Figuring the Contemporary in US Popular Cinema, 1967-2022: Genre, History, Event explores how popular film offers us frameworks through which to historicize the present and to imagine alternative futures in the opacity of the contemporary moment.This book offers an original way to interpret the contemporary as form, presenting the idea of contemporaneity as historical concept and not simply as "period" in the temporal sense. It explores how we might histor...

Accessible, entertaining, anecdotal. A good introduction to issues in contemporary civics as well as a measured and thoughtful response to major themes and figures in cultural studies.Civility in politics is a subject throughout, and analyses of both Obama's rhetoric and the use of lowest-common-denominator insults in public debate will be well-timed going into the 2012 election campaignNot just formal essays: some are dialogues, some personal meditations, some direct addre...

"Felski frees critics from relying on critique as the gatekeeper of literary studies and offers a prescient guide to life in a postcritical world." — Los Angeles Review of BooksWhy must critics unmask and demystify literary works? Why do they believe that language is always withholding some truth, that the critic's task is to reveal the unsaid or repressed? In this book, Rita Felski examines critique, the dominant form of interpretation in literary studies,...

A timely, nuanced work that dissects the thorny debate around cultural appropriation and the literary imagination.How do we properly define cultural appropriation, and is it always wrong? If we can write in the voice of another, should we? And if so, what questions do we need to consider first? In Appropriate, creative writing professor Paisley Rekdal addresses a young writer to delineate how the idea of cultural appropriation has evolved—and perhaps calci...

"This lively collection of essays on the ideas underpinning his films enriches and enlarges our understanding of Spielberg's complex body of work." —Joseph McBride, author of Steven Spielberg: A BiographyFew directors have had as powerful an influence on the film industry and the movie-going public as Steven Spielberg. Whatever the subject—dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism—one clear and consistent touchstone is present...

This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other ad...

This text involves students in understanding and using the "tools" of critical social and literary theory from the first day of class. It is an ideal first introduction before students encounter more difficult readings from critical and postmodern perspectives.Nealon and Searls Giroux describe key concepts and illuminate each with an engaging inquiry that asks students to consider deeper and deeper questions. Written in students' own idiom, and drawing its examples from the social ...

Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature.Spelling out her main arguments clearly and succinctly, Rita ...

The Cambridge Companion to Postmodernism offers a comprehensive introduction to postmodernism. The Companion examines the different aspects of postmodernist thought and culture that have had a significant impact on contemporary cultural production and thinking. Topics discussed by experts in the field include postmodernism's relation to modernity, and its significance and relevance to literature, film, law, philosophy, architecture, religion and modern cultural studies. The volume also inc...

Winner of the 2024 Hugh J. Silverman Book PrizeWho Would You Kill to Save the World? examines how postapocalyptic cinema uses images from the past and present to depict what it means to preserve the world—and who is left out of the narrative of rebuilding society. Claire Colebrook redefines “the world” as affluent Western society and “saving the world” as preventing us from becoming the othered them who are viewed in their suffering. Cole...

The Cambridge History of Postmodern Literature offers a comprehensive survey of the field, from its emergence in the mid-twentieth century to the present day. It offers an unparalleled examination of all facets of postmodern writing that helps readers to understand how fiction and poetry, literary criticism, feminist theory, mass media, and the visual and fine arts have characterized the historical development of postmodernism. Covering subjects from the Cold War and countercultures to the...

The collusion of galleries, collectors and curators, following the model of studio film and network TV, has equated popularity with quality. The problem then is to recuperate something of the lost radical conscience of art and culture.Art is a recreation of our own psychic formation (mimesis) as well as being shaped by its ‘otherness’ and by history. All stories are crime stories, all stories are about exile, and all stories are about homesickness. And all art contains a narrative. Radical...