"[An] evocative portrait" of one of the most influential and enigmatic American art dealers of the 1960s (Barbara Rose, The New York Times).In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world. By 1965, he was representing Mark di Suvero, had been the first to show Andy Warhol's pop art, and had introduced the new genre of installation art. An eccentric art dealer and founder of the Green Gallery on Fifty-Seven...

During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, a...

"Performance" has multiple and often overlapping meanings that signify a wide variety of social behaviors. In this invitation to reflect on the power of performance, Diana Taylor explores many of its uses and iterations: artistic, economic, sexual, political, and technological performance; the performance of everyday life; and the gendered, sexed, and racialized performance of bodies. This book performs its argument. Images and texts interact to show how performance is at once a creative a...

Imagining Resistance: Visual Culture and Activism in Canada offers two separate but interconnected strategies for reading alternative culture in Canada from the 1940s through to the present: first, a history of radical artistic practice in Canada and, second, a collection of eleven essays that focus on a range of institutions, artists, events, and actions. The history of radical practice is spread through the book in a series of short interventions, ranging from the Refus glob...

The Taste of Art offers a sample of scholarly essays that examine the role of food in Western contemporary art practices. The contributors are scholars from a range of disciplines, including art history, philosophy, film studies, and history. As a whole, the volume illustrates how artists engage with food as matter and process in order to explore alternative aesthetic strategies and indicate countercultural shifts in society.The collection opens by exploring the theoretica...

Todays artists have an unprecedented level of choice with regard to materials and methods available to them, yet the processes involved in making artworks are rarely addressed in books or exhibitions on art. Here, Glenn Adamson and Julia Bryan-Wilson argue that the materials and methods used to make artworks hold the key to artists motivations, their attitudes to authorship, uniqueness and the value of objects, the economic and social contexts from which they emerge, and their approach to ...

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.Explaining that the postwar expanded cinema was a response to bo...

Many of the essays pinpoint the stagnancy of teaching methods today and discuss the reductive parameters enforced by the current curriculum. The radical tone that echoes through the entire series of papers is unmistakable. Throughout the book, postmodern theory informs the polemical debate concerning new directions in educative practice. Contributors shed new light on a postmodern view of art in education with emphasis upon difference, plurality and independence of mind. Ultimately, the pa...

The Situationist International were a group of anti-authoritarian, highly cultured, revolutionary artists whose energy and enragement fundamentally shaped the revolutions of the late 1960's, most famously in Paris in May '68. They took on their shoulders the history of the workers' struggle, saw that it had been corrupted by authoritarianism and transformed it, with influences incorporating the avant-garde via Dada and Surrealism. They were not Marxologists, defenders of the faith. Marxism...

Costume, Makeup and Hair reveals how these three crafts have continually adapted to new conditions, making the transitions from stage to screen, from monochrome to colour, and from analog to digital. It considers them in relation to a wide range of film genres, from sci-fi spectacles to period dramas, as well as examining how they have been active participants in the marketplace for fashion and beauty products. Drawing on rare archival materials and lavish colour illustrations, the expert ...

Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that “globalism” was incubated in a century of international art contests and today constitutes an important tactic for artists.As world’s fairs brought millions of attendees into contact wit...

BCN Free Art 01: The Port and Barceloneta guides you around artworks on Barcelona’s waterfront and through the fishing neighbourhood of Barceloneta, describing the city’s history, the artists – such as Xavier Mariscal, Roy Lichtenstein, JM Subirachs, Rebecca Horn, Juan Muñoz and James Turrell – who created these sculptures, and the stories that bring Barcelona alive.This edition of BCN Free Art 01: The Port and Barceloneta has been fully revised. Extra information...