This volume comprises a reprinting and gloss of the original text of the 1933 Communist play Eight Men Speak. The play was banned by the Toronto police after its first performance, banned by the Winnipeg police shortly thereafter and subsequently banned by the Canadian Post Office. The play can be considered as one stage–the published text–of a meta-text that culminated in 1934 at Maple Leaf Gardens when the (then illegal) Communist Party of Canada celebrated the release of its le...

In one of our greatest contemporary plays, set in two distinct centuries, Tom Stoppard explores the nature of truth, time, sex and attraction with absorbing and tragic humour.Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in.Arcadia premiered at the National Theatre, London, 1993, winning the Olivier Award for Best New Pla...

The bestselling author of I Feel Bad About My Neck brilliantly and hilariously resuscitates Lillian Hellman and Mary McCarthy—two bigger-than-life feuding writers—to give them a post-mortem second act, and the chance to really air their differences.Although Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCar...

This volume contains Harold Pinter's first six plays, including The Birthday Party.The Birthday PartyStanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday TimesThe Room and The Dumb WaiterIn these two early...

Longlisted for the Orwell Prize, 2019____________The Times Round-up of the Best Non-fiction Paperbacks, 2019The Times Best Current Affairs and Big Ideas Book of the Year, 2018**'A very discomforting book, no matter what your politics might be... very good' Sunday Times'Potent, disturbing and revelatory' Evening Standard...

“The most important book to be written in more than 40 years about the rise of Canadian literature… Arrival: The Story of CanLit brims and crackles, in equal measure, with information and energy.” — Winnipeg Free PressA Globe and Mail Top 100 BookNational Post 99 Best Books of the YearIn the mid-twentieth century, Canadian literature transformed from a largely ignored trickle of books into an enorm...

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language.This second volume of Brecht's Collected Plays brings together some of his most glittering Berlin successes including The Threepenny Opera, The Rise and Fall of the City of Mahagonny, The Seven Deadly Sins, Man Equals Man and The Elephant Calf. The Thre...

A Student Handbook to the Plays of Tennessee Williams provides the essential guide to Williams' most studied and revived dramas. Authored by a team of leading scholars, it offers students a clear analysis and detailed commentary on four of Williams' plays: The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and Sweet Bird of Youth. A consistent framework of analysis ensures that whether readers are wanting a summary of the play,...

This work is a compelling examination and discussion of the work of Daniel David Moses. Including pieces by Indigenous and non-Indigenous authors, storytellers, playwrights, academics and artists, participating in narratives, writing and dialogues about Moses and his work, the book is at once engaging, grounded in comparative analysis and forceful.

In Performing Autobiography, Jenn Stephenson presents an innovative new approach to autobiography studies that links the growing field of research to drama. Stephenson’s analysis engages with performance histories to demonstrate the extent to which the dramatic form, which recasts autobiography as ambiguously fictive, ensures that the experience of the plays remains open to revision, alteration, and interpretation. As such, Performing Autobiography understands this form n...

Carroll Aikins’s play The God of Gods (1919) has been out of print since its first and only edition in 1927. This critical edition not only revives the work for readers and scholars alike, it also provides historical context for Aikins’s often overlooked contributions to theatre in the 1920s and presents research on the different staging techniques in the play’s productions.Much of the play’s historical significance lies in Aikins’s vital role in Canadian theatre, as direc...

Mark S. Anner spent ten years working with labor unions in Latin America and returned to conduct eighteen months of field research: he found himself in the middle of violent raids, was detained and interrogated in a Salvadoran basement prison cell, and survived a bombing in a union cafeteria. This experience as a participant observer informs and enlivens Solidarity Transformed, an illustrative, nuanced, and insightful account of how labor unions in Latin American ...