1961. What a milestone year that would prove to be. Spook was happy before that time, with a creek to play in and Grandpa Doc to spoil him. But then his mum has to drag him down to Melbourne, to a crappy flat above a dress shop, and the dreadful Mrs Green, their landlady. For what? All because of that fuss about his father and a jumping tree? That makes no sense at all.Soon the sanctimonious Theodore and foul-mouthed Wocker are foisted on Spook as "friends" — and s...

1961. What a milestone year that would prove to be. Spook was happy before that time, with a creek to play in and Grandpa Doc to spoil him. But then his mum has to drag him down to Melbourne, to a crappy flat above a dress shop, and the dreadful Mrs Green, their landlady. For what? All because of that fuss about his father and a jumping tree? That makes no sense at all. Soon the sanctimonious Theodore and foul-mouthed Wocker are foisted on Spook as "friends" — and some fri...

In Auckland, Mr Hammond is waiting for his wife, back from Europe. After talking to some other people waiting at the harbour, she lands in but takes her time, leading him to wonder if she was sick during the voyage - she was not. In the hotel, Hammond says they will spend the next day sightseeing in Auckland, before going back to Napier, where they live. She then appears distant, and eventually reveals that she took a while to leave the ship because a man had died on board, and she was alo...

This great, genre-bending novel nominally centres on the quest of the monomaniacal Captain Ahab to gain revenge for the loss of his leg to an apparently malicious white sperm whale known in the fishery as Moby Dick.At times the compulsive and bombastic Captain Ahab sounds more like a figure from grand guignol than a reincarnated Lear, and listeners may find themselves wondering if the story of Ahab's attempted revenge, as narrated by Ishmael, one of his crew members, is at least partly a p...

Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be "a simple tale" proves to involve politicians, policemen, foreign diplomats, and London's fashionable society in the darkest and most surprising interrelations. Based on the text which Conrad's first E...

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printe...

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by ...

Each of the stories in this collection is spun from a simple, if typically wry and bleak, idea. In "Gaspar Ruiz", a South American general who has fought in a war of independence tells his guests a long tale about a notorious strong man that explains the origin of his current domestic arrangements. "The Informer" leads the reader into the depths of a political conspiracy, dealing very slyly indeed with questions of truth and pretence. In "The Brute", we are asked whether we can believe the...

Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found...

In the 1870s, supporters of the pretender to the throne of Spain take advantage of a young man's attraction to the sea to persuade him to run dangerous missions on their behalf, with the financial support of a beautiful but exceedingly baffling young heiress, with whom the young man is soon giddily in love. Told largely in the first person, the novel is unusual, for Conrad, in focusing largely on the evolving psychology of a young man in the throes of a great romantic passion.

Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to ...

In Nostromo, Joseph Conrad has transformed an apocryphal anecdote about a sailor who got away with stealing a boat loaded with silver into a grandly panoramic, yet deeply unsettling, narrative that sees every conceivable type of political person — from the laughably oafish and brutal to various shades of the well-meaning — caught up in an episode of revolutionary upheaval in the fictional South American country of Costaguana. Who, if anyone, will emerge from this dreadful saga with a shred...