Are all immigrants from the same home country best understood as a homogeneous group of foreign-born? Or do they differ in their adaptation and transnational ties depending on when they emigrated and with what lived experiences? Between Castro’s rise to power in 1959 and the early twenty-first century more than a million Cubans immigrated to the United States. While it is widely known that Cuban émigrés have exerted a strong hold on Washington policy toward their homeland, Eckstein uncover...

Winner of the 2003 Pulitizer Prize for Drama. . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of th...

For more than four hundred years in New Mexico, Pueblo Indians and Spaniards have lived “together yet apart.” Now the preeminent historian of that region’s colonial past offers a fresh, balanced look at the origins of a precarious relationship.John L. Kessell has written the first narrative history devoted to the tumultuous seventeenth century in New Mexico. Setting aside stereotypes of a Native American Eden and the Black Legend of Spanish cruelty, he paints an evenhanded picture ...

Over the course of ten years, this extensive qualitative study focused on the academic resilience phenomenon. The research delves into the educational resilience experiences of fifty low socioeconomic students of color from a variety of racial and ethnic backgrounds. In addition to chronicling specific protective factors and processes active in the students' lives, several symbiotic relationships between groups of protective factors are documented and explored. A Resilience Cycle ...

Fleshing the Spirit brings together established and new writers exploring the relationships between the physical body, the spirit and spirituality, and social justice activism. Examining the complex and dynamic connections among these concepts, the writers emphasize the value of “flesh and blood experience” as a site of knowledge. They argue that spirituality—something quite different from institutional religious practice—can heal the mind/body split and set the stage for social c...

Randy Jurado Ertll, un salvadoreño americano, creció en el Sur Centro de Los Ángeles a fines de los años 1970 y durante los 80, y también vivió en El Salvador cuando era un niño, así como en Rochester, Minnesota, Washington, D.C., y en Alexandria, Virginia. En cada una de estas ciudades presenció la dinámica y retos de la comunidad Latina. Porque ha vivido y trascendido las luchas, es capaz de captar una imagen realista y compasiva de la comunidad Latina a través de esta experiencia convin...

“The existential pain of exile, the confusions of sexual identity and the complex legacies of the Cuban revolution are predominant [in] Mr. Machado’s writing,” –The New York TimesEduardo Machado explores his lifelong themes with humor and passion in Havana Is Waiting (a writer returns to Cuba after thirty years), Kissing Fidel (a comedy set in Miami funeral parlor), The Cook (chronicling Cuban history), and Crocodile Eyes (inspired by Fe...

From Dancing With the Stars finalist Cristian de la Fuente comes a tongue-in-cheek guide to understanding Latino culture-now in paperback.As a contestant on Dancing with the Stars, international star and actor Cristián de la Fuente automatically assumed the role of the flashy Latino dancer, donning bright fuchsia costumes with his bare chest exposed. But Cristián ultimately wowed the judges and reached the finals-not with his fancy footwork but wi...

On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project—Arizona’s first major urban renewal project—which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called “la calle.” Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebr...

Drawing on studio files, newspaper critiques, internet sources and scholarly studies of Mexican cinema, this critical history focuses on film depictions, in Hollywood and in Mexico, of the Mexican Revolution of 1910 and the era of Benito Juarez. Mexico's political and military battles are discussed in detail, and contrasted with the film industry's mostly uninformative take on these events.Important figures of Mexican history are discussed--Benito Juarez, Porfirio Diaz, Francisco M...

In lowriding culture, the ride is many things—both physical and intellectual. Embraced by both Xicano and other Indigenous youth, lowriding takes something very ordinary—a car or bike—and transforms it and claims it.Using the idea that lowriding is an Indigenous way of being in the world, artist and historian Dylan A. T. Miner discusses the multiple roles that Aztlán has played at various moments in time, from the pre-Cuauhtemoc codices through both Spanish and American colonial re...

"As ever, Hudes’s writing is poetic but wry, full of swagger and poetry. There’s live music, but oh, how the lines sing too." - David Cote, Time Out New York"Ms. Hudes draws all her characters with precision and understanding... this warm-blooded play underscores how the disorienting flux of life can be navigated with the help of carefully tended family ties." - Charles Isherwood, New York Times"Delightful... Hudes is a very accomplished storyteller, a pla...