Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy.Spanning national and transnational media in countries including the US, Brazil, Canada, France, Ger...

This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others.Robert Stam, renowned for his clarity of writing, will...

Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts.No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovativeCreates and illustrates over...

With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema, and media studies.Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely adding to the existing scholarship, the bo...

The question "Why do they hate us?" is one of the most oft-cited puzzles of contemporary American affairs, yet it’s not clear to whom "they" or "us" refers, nor even what "hate" means. In this bold new work, Ella Shohat and Robert Stam take apart the "hate discourse" of right-wing politics, placing it in an international context. How, for example, do other nations love themselves, and how is that love connected to their attitudes toward America? Is love of country "monogamous" or can one l...

Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s – the ...

Spanning time and space from late Victorian Britain and Ireland to postwar America and Latin America, Late Imperial Culture maps crucial regions in the terrain of imperial cultural practices including theater, film, photography, fiction, autobiography, and body art. The forms reviewed in this lively collection range from those which accept and reproduce empire's dominant self-images to scathing critiques of the oppressions that colonialism has visited upon its subjects and the pri...

Elsie McKee, "Calvin and His Colleagues as Pastors: Some New Insights into the Collegial Ministry of Word and Sacraments"; Jeffrey R. Watt, "Childhood and Youth in the Geneva Consistory Minutes"; Christoph Strohm, "Methodology in Discussion of 'Calvin and Calvinism'"; Max Engammare, "D’une forme l’autre: Commentaires et sermons de Calvin sur la Genèse "; Cornelis Augustijn / Christoph Burger / Frans P. van Stam, "Calvin in the Light of the Early Letters" ; Christian Link, "Die Finalität de...

First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristev...

While the term “culture wars” often designates the heated arguments inthe English-speaking world spiraling around race, the canon, and affirmativeaction, in fact these discussions have raged in diverse sites and languages. Racein Translation charts thetransatlantic traffic of the debates within and between three zones—the U.S.,France, and Brazil. Stam and Shohat trace the literal and figurative translation of thesemultidirectional intellectual deba...