A horror-story history of capitalism and its relationship to the haunted and the gothic, and a manifesto of Gothic Marxism, which finds revolutionary hope in the nightmare of modernity.What does it mean to see horror in capitalism? What can horror tell us about the state and nature of capitalism?Blending film criticism, cultural theory, and philosophy, Capitalism: A Horror Story examines literature, film, and philosophy, from Frank...

The Mad Butterfly's Ball is an essential compendium of stories dedicated to the lurking horror and profound wonder of those that live, largely unseen, in the world around us—the enigmatic insect! Featuring original and new works by Clive Barker, Jeffrey Thomas, Kaaron Warren, Paul Di Filippo, Eugen Bacon, and many more, alongside classics of the subgenre, The Mad Butterfly's Ball is the largest and most comprehensive anthology of its kind, with stunning illustrations by R...

Um manifesto do marxismo gótico e uma história de horror sobre o capitalismo e sua relação com a assombrologia, que encontra esperança revolucionária no pesadelo da modernidade. O que significa ver horror no capitalismo? O que o horror pode nos dizer sobre o estado e a natureza do capitalismo? Combinando crítica cinematográfica, teoria cultural e filosofia, o livro Capitalismo: uma história de horror examina literatura, cinema e filosofia, de Frankenstein ao cinema contemporâneo, investiga...

What can vampires teach us about God? How can they reshape the way we think about religion, and our relationship with the divine? Through a thorough analysis of the relationship between theology and vampires, Theology and Vampires provides a glimpse into the versatility of the vampire as a tool for theological enquiry. Contributions to the volume assess vampires and their role in articulating theological thought, bringing together some of the classical vampire tales of the 19th ce...

Horror and Religion is an edited collection of essays offering structured discussions of spiritual and theological conflicts in Horror fiction from the late-sixteenth to the twenty-first century. Contributors explore the various ways that horror and religion have interacted over themes of race and sexuality; the texts under discussion chart the way in which the religious imagination has been deployed over the course of Horror fiction’s development, from a Gothic mode based in theological p...