Showing results for "roberta mock"
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- Series -
- Methuen Drama Handbooks
2023
EN
Shortlisted for the 2024 TaPRA Edited Collection PrizeThis is a guide to contemporary debates and theatre practices at a time w****hen gender paradigms are both in flux and at the centre of explosive political battlegrounds.The confluence of gender and theatre has long created intense debate about representation, identification, social conditioning, desire, embodiment, and lived experience. As this handbook demonstrates, from the convention...
Walking, Writing and Performance
Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil Smith
2009
EN
This collection charts three projects by performance-makers who generate autobiographical writing by taking walks. It includes performance texts and photographs, as well as essays by the artists that discuss processes of development, writing and performance.The Crab Walks and Crab Steps Aside are performances made by Phil Smith based on an initial exploratory walking of an area of South Devon where he was taken for childhood holidays and then on to Munich, Herm and San Gimignano. Both show...
Performing Processes
Creating Live Performance
2000
EN
Live performance continues to be created every time it is performed. This book explores the dynamic relationship between creative process, presentation and spectator response to provide students and scholars in Drama with new insights on performance from poetry to pantomime. These essays make parallels between areas of performance that are rarely, if ever, compared. They present the basis for an overall theory of how 'conception', 'development', 'presentation' and 'reception' are fused tog...
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2012
EN
Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.
- Translated by
- Elizabeth Reynolds Hapgood
2013
EN
Accessible
Building a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy.An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.”Building a Character discusses the external techniques of acting: the use of ...
2010
EN
Actor Training expands on Alison Hodge’s highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included - and forty more photographs - to create a stunningly comprehensive study.T...
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- The Basics
2013
EN
Accessible
Stanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator of twentieth century theatre, this book examines Stanislavski’s:life and the context of his writingsmajor works in English translationideas in practical contextsimpact on modern theatreWith furth...
Joined Forces
Audience Participation in Theatre. Performing Urgencies #3
- by
- Jan SowaDominique NduhuraAntoine PickelsJustine BoutensElena BasteriMiriam TschollRoger BernatRoberto Fratini SerafideOphelia Patricio ArrabalAna VujanovićTobi MüllerHelgard HaugStefan KaegiDaniel WetzelRimini ProtokollLotte van den BergTea TupajićTom SellarAdelheid RoosenWojtek ZiemilskiAdam CzirakJohanna FreiburgBastian TrostGob Squad
2016
EN
Band 3 der von Florian Malzacher herausgegebenen englischsprachigen Reihe Performing Urgency. Im Kontext heutiger Politik, Wirtschaft und sich permanent verändernden kulturellen Trends kommt das traditionelle Theater mit seiner Trennung von aktiven Darstellern und passiven Zuschauern immer mehr aus der Mode. Zeitgenössische Künstler emanzipieren ihr Publikum, laden es auf die Bühne und in die Performance ein, beleidigen und provozieren es und erproben verschiedenste Techniken der Teilhabe....
The Comedy Improv Handbook
A Comprehensive Guide to University Improvisational Comedy in Theatre and Performance
2015
EN
Accessible
The Comedy Improv Handbook: A Comprehensive Guide to University Improvisational Comedy in Theatre and Performance is a one-stop resource for both improv teachers and students, covering improv history, theory, maxims, exercises, games, and structures. You will learn the necessary skills and techniques needed to become a successful improviser, developing a basic understanding of the history of improvisation and its major influences, structures, and theories. This book also addresses...
2014
EN
Accessible
Creating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you – the performer – with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space.The creation of a solo show may be the most rewarding, liberating and stressful challenge you will take on in your career. This book acts as your silent collaborator as you develop your performance, by helpfully arranging exercises under the following ...
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- Routledge Icarus
2016
EN
Accessible
This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, th...
Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration
An Anthology of Play Texts 1966 - 2010
- Series -
- Performance Books
2014
EN
Theatre in Pieces: politics, poetics and interdisciplinary collaboration is an innovative compilation of seven highly acclaimed productions by key practitioners of non-playwright-driven theatre. Each playtext is reproduced in full and accompanied by extensive notes from members of the original producing theatre. A substantial introduction by Anna Furse provides an overview of the works and contextualises their reading by revealing how a script can emerge from or p...











