Breaking new ground in the study of performance theory, this maverick and powerful project from renowned Renaissance scholar and queer theorist Simon Shepherd presents a unique take on theory and the physical reality of theatre.Examining a range of material, Theatre, Body, Pleasure addresses a significant gap in the literary and drama studies arenas and explores the interplay of bodily value, the art of bodies and the physical responses to that art. It explains first how t...

The English Theatrical Avant-Garde, 1900–1925 unearths an extensive range of hitherto forgotten or ignored theatre practices. In doing so it reveals some of the well-known figures of the early twentieth-century English theatre in a strikingly new light. It fluently describes an intensity of innovation and experiment that together made the Edwardian theatre rather more radical, and rather more queer, than we’ve ever thought.Where the majority of writing on the early twentie...

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a ...

An accessible and authoritative compendium of key concepts in acting, this book reveals how the craft has been understood by the world's leading practitioners and theorists.What is 'truthful' acting? Am I 'freeing the voice' and being 'authentic' in my performance? The idioms of acting can both delight and confound. While enthusiastic theatregoers and aspiring actors may be attracted to studio slang, theorists and practitioners of the craft will argue fiercely over...

This is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history.It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritag...

This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significa...

Drawing on interview material from more than 20 leading stage managers from the UK, USA and Australia, this book situates the contemporary practice of stage management within its historical and social contexts.Questioning the notions of the invisible stage manager and a linear production process, it argues for a broader conception of stage management lying at the intersections of administration, management and artistry.This volume places stage management pr...

This volume provides an accessible overview of the history of kabuki, Japan's 'music-dance-drama'. It traces the development of the form from its ribald, burlesque beginnings in the early 1600s, the creation of grand melodramas in the 1700s, through to 21st century experimental fusions with pop culture, and examines six popular works drawn from the 18th-20th centuries.Along the way, it examines the development of star-driven commercial theater with blockbuster play...

Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.

This volume provides the reader with a comprehensive overview of the rich traditions of noh, classical Japanese dance-drama.Drawing from specialized scholarship in English and in Japanese, it takes an accessible approach useful for a range of readers, including students and researchers of Japanese culture and performing arts, as well as theatre practitioners.The introduction provides an overview, describing noh from the point of view of both the audience an...

Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma's book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground.What entertained India's masses and elites before the arrival of cinema in India? When did “modern” theatre begin in India and how did Nautanki con...

This book introduces readers to the historical, performative, and cultural context of pansori, a traditional Korean oral story-singing art.Written by a scholar-practitioner of the form, this study is structured in three parts and begins by introducing readers to the technical, aesthetic, and theoretical components of pansori, as well as the synthesis of vocal and percussive elements that stage the narrative. It moves on to reflect on the historical contexts of pans...