Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.E...

Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.E...

WEALTH AND MORAL LAW By E Benjamin Andrews by E Benjamin Andrews offers a concentrated, compelling experience within fiction / literary. This concise work presents carefully drawn characters and purposeful plotting that together explore themes of choice, consequence, and human connection. The prose is precise and economical, balancing vivid scenes with clear pacing to maintain narrative momentum. Ideal for readers seeking a thoughtful, accessible read, the book is well-suited to book clubs...

Libel and Lampoon shows how English satire and the law mutually shaped each other during the long eighteenth century. Following the lapse of prepublication licensing in 1695, the authorities quickly turned to the courts and newly repurposed libel laws in an attempt to regulate the press. In response, satirists and their booksellers devised a range of evasions. Writers increasingly capitalized on forms of verbal ambiguity, including irony, allegory, circumlocution, and indirection,...

What is the work of art? How does art work as art? Andrew Benjamin contends that the only way to address these questions is by developing a radically new materialist philosophy of art, and by rethinking the history of art from within that perspective.A materialist philosophy of art starts with the contention that meaning is only ever the after effect of the way in which materials work. Starting with the relation between history, materials and work (art’s work), this book opens up a...

An original philosophical account of relational ontology drawing on the work of Descartes, Kant, Fichte, Hegel, and Heidegger.In this original work of philosophy, Andrew Benjamin calls for a new understanding of relationality, one inaugurating a philosophical mode of thought that takes relations among people and events as primary, over and above conceptions of simple particularity or abstraction. Drawing on the work of Descartes, Kant, Fichte, Hegel, and Heidegger,...

This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level.Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meanin...

A radical rethinking of ethics set within the development of a philosophical anthropology.In his last book, Towards a Relational Ontology, Andrew Benjamin provided a philosophical account of what he terms anoriginal relationality, demonstrating how this concept can be seen to be at work throughout the history of philosophy. In Virtue in Being, he builds on that project to argue for a new way of understanding the relationship between ontol...

Jimmy Go is lost in a hell he can’t escape.Slave to a job he hates, Jimmy lives, eats, and writhes in the factory-sponsored void his life has fallen into. A cracking cog in a mindless, paranoid war machine, Jimmy no longer remembers who he is, why he’s there—or why someone’s left him a warning: You don’t belong here, Little Man Go.Each day before work, Jimmy stares out his window watching Hat, Cloak, and Umbrella Warriors defend his home of Wren from marauding Clans and Gan...

*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***Synopsis:Notwithstanding the number of United States histories already in existence, and the excellence of many of them, I venture to think that no apology is needed for bringing forward another.