An examination of the influential role music played in the lives of elite southern women during the antebellum periodIn Charleston Belles Abroad, Candace Bailey examines the vital role music collections played in the lives of elite women of Charleston, South Carolina, in the years leading up to the Civil War.Bailey has studied a substantial archive of music held at several southern libraries, including the library in the historic Aiken-Rhett House,...

English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical ...

A Choice Outstanding Academic Title for 2022Hearing southern women in the pauses of historySouthern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bail...

Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism.Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates th...

From the acclaimed author of A Wilderness So Immense comes a pioneering study of Thomas Jefferson's relationships with women, both personal and political.The author of the Declaration of Independence, who wrote the words “all men are created equal,” was surprisingly uncomfortable with woman. In eight chapters, Kukla examines the evidence for the founding father's youthful misogyny, beginning with his awkward courtship of Rebecca Burwell, who declined Jefferson's marriage p...

Documenting the difficult class relations between women slaveholders and slave women, this study shows how class and race as well as gender shaped women’s experiences and determined their identities. Drawing upon massive research in diaries, letters, memoirs, and oral histories, the author argues that the lives of antebellum southern women, enslaved and free, differed fundamentally from those of northern women and that it is not possible to understand antebellum southern women by applying ...

A treasure trove of incredible lives lived.— RICK MERCER, comedian and authorMuir sets out to restore the faces of women who worked and struggled in nineteenth-century Toronto. A fascinating read.— WARREN CLEMENTS, author and publisherEmphasizes the enormously influential role women had in laying the groundwork for life in the city today.— DR. ROSE A. DYSON, author of Mind Abuse: Media Violence and Its ...

**"Superb, scrupulously researched . . . a comprehensive narrative for understanding the changing reception of Little Women." —Gregory Eiselein, coeditor of The Louisa May Alcott EncyclopediaThe hit Broadway show of 1912. The lost film of 1919. Katharine Hepburn, as Jo, sliding down a banister in George Cukor's 1933 movie. Mark English's shimmering 1967 illustrations. Jo—this time played by Sutton Foster—belting "I'll be / astonishing" in the 2004 Broadwa...

This updates and expanded edition of the classic text in the field describes hundreds of women musicians -- composers, instrumentalists, orchestra and opera managers, music educators, and music patrons, and their activity from the 18th to 21st centuries. It includes their most important compositions and awards, including the Pulitzer Prize and Gravemeyer Award. It also includes descriptions of women's ensembles, both classical, such as the Women's Philharmonic of Chicago, and popular jazz ...

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. H...

Ragtime, the jaunty, toe-tapping music that captivated American society from the 1890s through World War I, forms the roots of America's popular musical expression. But the understanding of ragtime and its era has been clouded by a history of murky impressions, half-truths, and inventive fictions. Ragtime: A Musical and Cultural History cuts through the murkiness. A methodical survey of thousands of rags along with an examination of then-contemporary opinions in magazines and news...

Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera’s long history of invention and reinvention as a barometer of twentieth-century American expectations about race, culture, and the struggle for equality. In its surprising endurance lies a myriad of local, national, and international stories.For bla...