"Finally, someone has written about the best kept mental health secret: how dogs save psyches, hearts, minds, and sometimes, quite literally, lives . . ."—Belleruth Naparstek, LISW, author of Invisible HeroesAs the more than 65 million dog-owners in America will attest, there's something about the presence of a dog that inspires confidence, nurtures emotional well-being, and brings out the best in ourselves. But for some people, the presence of a dog can d...

A history of those working to help society's most vulnerable.Australia introduced professional education for social workers thirty years later than much of the developed world. It joined an international movement to set up the new profession and was helped by the well-established American and British social workers. As Australian social work education approaches its centenary in 2029, it is clear that much of the history of the profession has been forgotten or is m...

In this remarkable book, Jane Miller writes about the experience of being a daughter and a sister, about the intensities of family life and the illuminations that come from the last days of parents. Relations describes a record-keeping kinship and offers portraits of her parents' long marriage, its mysteries and incompatibilities, of her grandfather, the scientist Redcliffe Salaman, and of her great-aunt Clara Collet, one of the first women civil servants. It is a story in which K...

Attitudes to bilingualism have always been contradictory. The possession of more than one language has been thought to be an advantage, even a necessity, while simultaneously being regarded as an inconvenience, sometimes a disastrous one. Yet more than half the world’s population is bilingual. Britain is also now a multilingual society. It is therefore important to understand the phenomenon of bilingualism and to unravel the contradictions in attitudes towards it. In her book Many Voic...

For the past four years Jane Miller, author of Crazy Age: Thoughts on Being Old, has been writing a column for an American magazine called In These Times. Her beautifully observed pieces about life, politics and Britain open a window to her American readers of a world very different from their own.'Her erudition is both dazzling and lightly borne, the personal often illuminating the political . . . Miller's is a welcome, necessary voice - readable, informative and...

Lambda Literary Prize for Lesbian Poetry finalist for Who is Trixie the Trasher? And Other Questions (2018)Winner of The Publishing Triangle's Audre Lorde Award for Lesbian Poetry for Who is Trixie the Trasher? And Other Questions (2018)Guggenheim Fellow (1989) and recipient of two National Endowment for the Arts FellowshipsMiller’s admirers include: CD Wright, Jorie Graham, WS Merwin, and Calvin BedientPotential audiences: Pr...

Ever since I have inhabited old age, I have looked and listened, mostly in vain, for news of what it is like for others who inhabit it too. Naturally, I'm interested in its well-known depredations, the physical and mental ones that people in their forties and fifties so publicly dread. And who would not delight in the theatrical props of old age - the pills and sticks, the shrieking hearing aids and the tricks for countering the loss of names and threads and glasses. But that's not all. I ...

Working Time collects essays by prize-winning poet Jane Miller on the subjects of poetry, travel, and culture. The discussions of contemporary poetry begin with excursions into geography, where language literally “takes shape.” Each essay is set in a landscape, where the notion of travel as a poetic experience, from the American Southwest to places in Italy, France, and Spain, is explored.The essays consider notions of time, duration, narrative, documentary, and history in...

Jane Miller loves poetry. In these provocative and deeply insightful essays, she unpacks the work of giants like Adrienne Rich, Paul Celan, Marina Tsvetaeva, Osip Mandelstam, and Federico García Lorca alongside painters such as Caravaggio and Paul Klee, as well as ancient Chinese music and techniques of the contemporary poem. Miller explores the use of the question mark in the history of poetry and its function as a revelation of poetic voice. She considers the positive and negative aspect...

Poor Bob House. A private investigator with nothing to investigate he's nearly out of options. His business associates are drunks and perverts and even his shell-shocked drinking buddies won't bother with him. It's 1978 and times are tough in the Motor City. Now, even the bodies of dead children start to seem like good news to him.

“Book by book, Jane Miller has evolved a mode, a voice, a palette and landscape entirely her own. If she were a painter, one might describe it as a descendant of cubism, a composition of multiple planes and reflections that appears to emerge out of itself, true to laws of its own nature, and yet is disturbingly recognizable, continuously suggestive, intimate and beautiful. Her subject is love and illusion and their revelation about each other.”—W. S. Merwin“Reading Jane Miller’s po...

“Her lusher effusions gain astringency from an achingly palpable heartbreak, and from an increased awareness of technology, commodity, politics: swoon meets zoom.” —Boston Review“Jane Miller is by far one of our best poets writing today . . . Miller is like the NASA space station of poetry: out of this world, yet of it, and still looking down. From her peculiar and important vantage she blows us kisses in the form of images that hit their mark.” —Lambda Book Report