Two eight-page B&W and color photo inserts

The Beatles' sixth studio album, Rubber Soul, was a game changer. By December 1965, when the album was released, the Beatles had played the first arena rock show at Shea Stadium for 55 000 delirious fans, been awarded MBE (Member of British Empire) medals, and were indisputably the greatest musical phenomenon since Elvis Presley. With their first film, A Hard Day's Night, John, Paul, George, and Ringo laid down the blueprint for everyone who ever wanted to form a group. T...

After Syd Barrett departed Pink Floyd, the band that he had co-founded and fronted became a rudderless ship, releasing a series of nebulous (though highly inventive) jam albums and taking on touring expenses that nearly bankrupted them. Their eighth album was a make-it-or-break-it proposition, and its timing could not have been better. Released in March of 1973, The Dark Side of the Moon quickly topped the US Billboard charts and took up residence there for over 700 weeks, selling over for...

Hold On World revisits Lennon and Ono's love affair and startling collaborations. John Lennon's Plastic Ono Band was arguably the most emotionally honest album ever made. It wasn't merely another record but more like a sonic exorcism, a spiritual, public bloodletting. Lennon's album drove a stake through the heart of the Beatles' myth while confronting everything else in John's life, from Dylan to God to his glorified status as a "Working Class Hero."Determined to rid himself of pa...

At last, the authorized biography of Townes Van Zandt (1944-1997), who wrote such unforgettable songs as Pancho & Lefty” and If I Needed You.” Born to a wealthy oil family in Ft. Worth, Texas, hounded by alcoholism and depression, Van Zandt pursued a nomadic existence following his muse, whatever the cost to himself, friends, and relatives. Based on exclusive interviews with those close to Van Zandt, including his best friend Guy Clark and colleagues like Steve Earle and John Prine, ...

“Lauterbach’s tribute . . . is welcome and overdue.” —Jonathan Yardley, Washington Post“A well-researched valentine to a lost world of seedy con men, promoters and club owners, the power brokers and hustlers who made the ‘circuitry spark.’ ”—Eddie Dean, Wall Street Journal“Lauterbach spins the tale with enormous vitality and it’s terribly fun to read. He masterfully explains the complex logistics of the entertainment industry, and studs the book with fasci...

How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contr...

Welcome to the 27 Club, also referred to as the Forever 27 Club, Club 27 or the Curse of 27. The 27 Club is so called because of influential musicians and singers who all died at the age of 27. They are generally respected for having lived the "rock and roll" lifestyle.The 27 Club is divided into two groups, the first is a list of seven famous musicians and singers who died at the age of 27, consisting of blues singer and musician Robert Johnson (considered to be the first member o...

Joe Strummer's untimely death at the age of fifty in December 2002 took from us one of the truly unique voices of modern music. The quintessential Rude Boy, punker, rebel musician, artist and activist, Strummer wrote some of the most important and influential music of the last century including "Guns of Brixton," "The Washington Bullets," "Spanish Bombs," "White Man in Hammersmith Palace," "London's Burning," "Lost in the Supermarket," and "Garageland." Effectively melding raw creativity w...

John Field is the most misunderstood composer in the history of classical music. The author, a former educator, classical pianist, and member of the Aldenori Piano Trio, finally sets the record straight. Pianists both professional and amateur, educators, teachers of piano performance, and musicologists who want to meet the real John Field and understand his finest creations, the nocturnes, will find this book indispensable.

In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't't been captured on location by these performers and recorders.Eminent blues historian Pau...

'The first serious attempt to analyse pop culture by someone who was part of it.' Julian Mitchell, GuardianThe redoubtable George Melly (1926-2007): flamboyant jazz singer, sexually ambiguous raconteur, prodigiously gifted critic. In the early sixties, at the birth of what we now recognise as the pop revolution, Melly began work as a broadsheet journalist, commenting upon this new cultural phenomenon. Revolt into Style (1970) is his first-hand account of those turbulent an...