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One Night
A Play Of Remembrance
Unabridged
1 hour 18 min
2026
EN
"One NIght" Is an original one act play written by Christopher Swann that lasts just over 75 minutes.On one night in November 1920 two Officers were tasked with choosing the "Unknown Warrior" who was to be laid to rest in Westminster Abbey. They entered a small chapel in Northern France where six coffins of the unidentified military dead rested, having been brought from the battlefields of Belgium and France. The Officers entered at dusk to choose one from those six coffins and left...
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or Free with Kobo PlusNotes from the Underground: Fall 2018 - I Am Entirely Up to Me
Notes from the Underground: Maclay Upper School's Journal of Creative Writing, #5
- by
- Rachel AbbottMariam AlviEmma Grace BassHelen BradshawDylan BurhansEllie CasteelAnanda ChatterjeeJainey CoatesMadison CordleSimon CorpuzMercy CrappsHolden CrumplerAnna Kate DauntDrew DauntJustine de Saint MarsChandler DownieEmily DudleyLauren FantleLauren FleischerBraden FosterLinsdey GreySarah HalbertHailey HobbsAbigail HugillJackson HugillIsabel HutchinsonNahal Suzanne JamirMadeline LillieCaroline Rose LunnyClara Cather LunnyHaley MainwaringKenzie MazziottaMary Allison McCueEli MearsJohn MesserKendall MinterAshlynn MoayadVictor OguledoLexi O'RourkeCody PaddackEljin RhymesMadeline RobertsAvery ShaverLilly SimonsHolly SimsLucy SmithBella SniderAbbey StejskalRachael StockelMadelyn StoutLogan SundbergSpencer SundbergEthan TetraultKenny TranJudy WangGrace Wells
2019
EN
We take the title of this journal from a novella of the same name by Fyodor Dostoyevsky. The novella is an existential piece, written before Dostoyevsky's greatest works and before Existentialism had really taken root in literature. The unnamed narrator is frequently named an anti-hero and is described by the note on the back of the Dover edition as a "profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values a...
Notes From the Underground: Spring 2019 - Growing Pains
Notes from the Underground: Maclay Upper School's Journal of Creative Writing, #6
- by
- Mariam AlviEmma Grace BassJolie BausHelen BradshawMaria CascioEllie CasteelAnanda ChatterjeeIsabella ChoiceMadison CordleSimon CorpuzJainey CoatesTayley CottonMercy CrappsJulia CrostonHolden CrumplerAnna Kate DauntRyan DauntChandler DownieEmily DudleyEzi EmenikeLauren FleischerLaura Kathryn FooteLindsay GarrettLindsay GrayNoah GreensteinChloe HarbinJack HildebrandtAbigail HugillJackson HugillIsabel HutchinsonEli JaffeRiley KarpinskiKate KriznerClara Catherine LunnyKenzie MazziottaMary Allison McCueEli MearsJohn MesserLexi O'RourkeCody PaddackSonu PatelEric PhippsSameer PonnaluriDevin RankinCollin RobertsMadeleine RobertsEmily RodenLilly SimonsHolly SimsLucy SmithBella SniderAbbey StejskalDe'Yanni StephensSpencer SundbergMichael SweeneyOwen TabahEthan TetraultIsabel ThompsonGrant ValveriJudy WangProphecy Wilson
2019
EN
We take the title of this journal from a novella of the same name by Fyodor Dostoyevsky. The novella is an existentialist piece, written before Dostoyevsky's greatest works and before Existentialism had really taken root in literature. The unnamed narrator is frequently named an anti-hero and is described by the note on the back of the Dover edition as "a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative value...
Notes from the Underground: Fall 2019
Notes from the Underground: Maclay Upper School's Journal of Creative Writing, #7
- by
- Lauren FleischerSonu PatelCaroline DelegalLilly SimonsCaroline HigdonHudson ShelferClara Catherine LunnyAnna GrantColin AcuffEmily DudleyMadelyn StoutEthan TetreaultMadison CordleLeo RutledgeKaileigh SchmidtKat LargeKameryn DavisBraden FosterMary Allison McCueEmma MesserEllie CasteelAnna WatsonRachel AbbottJillian BeckJohn MesserEli MearsMadeline LillieMariam AlviChloe HarbinSpencer GibbsSimon CorpuzRamsey GrantOwen TabahKate KriznerLauren PriceJordan JonesHeaven Ward
2019
EN
We take the title of this journal from a novella of the same name by Fyodor Dostoyevsky. The novella is an existentialist piece, written before Dostoyevsky's greatest works and before Existentialism had really taken root in literature. The unnamed narrator is frequently named an anti-hero and is described by the note on the back of the Dover edition as "a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative value...



