In Jean-Luc Godard: Philosopher/Insurgent, Jonathan Scott Lee contends that renowned filmmaker Jean-Luc Godard can be most accurately considered as a philosopher who uses cinema and video as his media to develop provocative aesthetic interventions into contemporary political situations and dilemmas.Rather than attempting to write a “definitive” study of Godard or establish a new canon from his expansive oeuvre, Lee identifies a particularly salient selecti...

First published in 1995, I Am Because We Are has been recognized as a major, canon-defining anthology and adopted as a text in a wide variety of college and university courses. Bringing together writings by prominent Black thinkers from Africa, the Caribbean, and North America, Fred Lee Hord and Jonathan Scott Lee made the case for a tradition of “relational humanism” distinct from the philosophical preoccupations of the West.Over the past twenty years, however, new schola...

Spies are like rats. In DC, you're never more than ten feet from one.Jason Trapp is about to find that out the hard way. All he wanted was a week off, but the world had other plans. Trapp stumbles onto something he wasn't meant to see, and when half a dozen top US officials are murdered by drug cartel sicarios, the reason becomes sickeningly clear.Within days, Mexico is on the brink of civil war, and the violence is spilling across the US border. The drug c...

Sometimes it's easier to ask for forgiveness than permission.Siberia in April isn't in any tourist guidebook. But that is where Trapp finds himself. It's cold, dark, and the vodka tastes like gasoline.After brawling with half a dozen corrupt Russian cops, he's taken to the infamous penal colony marked on maps as IK-29, but known to inmates as the Black Eagle. The guards are brutes, their prisoners little better than animals. It's hell on earth.And this time, he's on...

Across the West, bad men know his name. The deadliest bounty hunter on the frontier, Flintlock is armed with his grandfather's ancient Hawken muzzleloader, ready to put the blast on the face of injustice. As William and J.A. Johnstone's acclaimed saga continues, Flintlock will discover an evil too terrifying and deadly to even name.The stench of death hangs over Happyville. When Flintlock rides into town, he sees windows caked in dust, food rotting on tables, and a forgotten corpse...

A disgraced Confederate soldier and two impressionable youths come up with a plan to organize a militia and give the Yankees a taste of militia warfare.William Clarke Quantrill was a hated name during the War Between the States by the Federals of the Union Army as well as by many non-combatants. Even the high command of the Confederacy distrusted him. But there were others who were passionate sympathizers. He was both friend and mentor but also manipulator and opportunist.A...

From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age ( The New York Times).When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events...

"[A] passionate, compelling, and disturbing argument that the ills of democracy in the United States today arise from the default of its elites." —John Gray, New York Times Book Review (front-page review)In a front-page review in the Washington Post Book World, John Judis wrote: "Political analysts have been poring over exit polls and precinct-level votes to gauge the meaning of last November's election, but they would probably better employ their...

Three decades after its first publication, The New Wave is still considered one of the fundamental texts on the French film movement of the same name. Led by filmmakers as influential as Truffaut and Godard, the New Wave was a seminal moment in cinematic history, and The New Wave has been hailed as the most complete book ever written about it.The New Wave tells the story of the New Wave through examinations of five of the most important directors of the era: Truffaut, Godard, Chabr...

The “woman question,” this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western construction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Author Oyeronke Oyewumi reveals an ideology of biological determinism at the heart of Western social categories-the idea that biology provides the rationale for organizing the social world. And yet, she writes, the concept of “w...

Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’; it suffocates African thought and denies African agency.Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine. He argues that the decolonisation industry, obsessed wi...

Eleven conversations taken from as many issues of Fata Morgana. Eleven conversations which synthesize the project behind the journal which was born in spring 2006. At the time it was decided against having an editorial comment because of the conviction that if the journal was going to succeed it would speak for itself. However, the time has come to say a few words. A journal is first and foremost a collective gesture whose outline creates a field. The gesture made by Fata Morgana, which at...