How did a low-key prison drama which was considered a box-office flop on its original release become one of the most popular movies of all time?Mark Kermode traces the history of this unexpected audience favourite, from its source in Stephen King's novella Rita Hayworth and Shawshank Redemption, through the icy corridors of Ohio's Mansfield Reformatory (whose imposing gothic architecture dominates the film), to the television and video screens on which

Inspired by an alleged real case of demonic possession in 1949, The Exorcist became an international phenomenon on its release in 1973. A blockbusting adaptation of a best-selling novel, it was praised as 'deeply spiritual' by some sections of the Catholic Church while being picketed by the Festival of Light and branded 'Satanic' by the evangelist Billy Graham. Banned on video in the UK for nearly fifteen years, the film still retains an extraordinary power to shock and startle.Mar...

The surgery is now open . . .For over a decade, Simon Mayo and Mark Kermode have been sharing their film expertise with each other (and occasionally the odd listener) on the airwaves. Now they are donning their surgical scrubs and bringing their unique blend of deep movie knowledge and medical ignorance to their new guise as the Movie Doctors. Mayo and Kermode are armed and ready to offer improbable cinematic cures for the dilemmas of modern life.Suffering with insomnia and...

In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he gets lost in Russia on the trail of a low-budget horror flick, gasp as he's shot at in Hollywood while interviewing Bavarian director Werner Herzog, cheer as he gets thrown out of the Cannes film festival for heckling in very bad French, and cringe as he's handbagged by Helen Mirren at London's glitzy BAFTA Awards. Written with sardonic wit and wry good h...

How did a low-key prison movie which was considered a box-office flop on its original release become one of the most popular movies of all time? Mark Kermode traces the history of this unexpected audience favourite from the pages of Stephen King's novella 'Rita Hayworth and Shawshank Redemption', through the icy corridors of Ohio's Mansfield Reformatory (whose imposing gothic architecture dominates the film), to the television and video screens on which 'The Shawshank Redemption' became a ...

If blockbusters make money no matter how bad they are, then why not make a good one for a change?How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years?Why pay to watch films in cinemas that don't have a projectionist but do have a fast-food stand?And, in a world where Sex and the City 2 was a hit, what are film critics even for?Outspoken, opinionated and hilariously funny, The Good, The Bad and T...

'Wonderful - such a terrific read. Brilliantly captures the passion, commitment, searing self-knowledge and dizzy happiness that comes with loving music. An enchanting book' STEPHEN FRY***Following a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic ...

Bloomsbury presents The Exorcist written and read by Mark Kermode.Inspired by an alleged real case of demonic possession in 1949, The Exorcist became an international phenomenon on its release in 1973. A blockbusting adaptation of a best-selling novel, it was praised as ‘deeply spiritual’ by some sections of the Catholic Church while being picketed by the Festival of Light and branded ‘Satanic’ by the evangelist Billy Graham. Banned on video in the UK for nearly fifteen years, the ...

In It's Only a Movie, the incomparable Mark Kermode showed us the weird world of a film critic's life lived in widescreen. Now, in The Good, The Bad and The Multiplex, he takes us into the belly of the beast to ask: 'What's wrong with modern movies?'If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years? Why pay to watc...

To avoid fainting, keep repeatingIt's only a move..only a movie..only a movie..only a movieIf you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon would have realised that there ...

Following a formative encounter with the British pop movie Slade in Flame in 1975*,* Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall.HOW DOES IT FEEL? follows a lifetime of musical m...

Bloomsbury presents Jaws by Antonia Quirke, read by Gabrielle Glaister.This study of Jaws (1975) examines how Steven Spielberg’s breakout film not only redefined the thriller but also pioneered the summer blockbuster, cementing his reputation as a master filmmaker.Against the odds of a catastrophic location shoot, 27-year-old Spielberg delivered a film so effective that it became the highest-grossing movie of its time, transforming Hollywood’s approach to event cinema....