The novel "House of Flames: Volume One" follows the story of a common maid working in the noble House of Flame and her encounters with the arrival of James P. Flame, the rumored bastard son of the headmaster. The maid navigates the tensions and conflicts within the noble household while pondering the implications of accepting an outsider as an official family member. The narrative delves into the complex dynamics between the nobles and the common folk, offering a compelling portrayal of so...

The title “America Sees a Hue” is a play on the Dr Suess title “Horton Hears a Who” as this book by Dr Suess was the source of a campaign against cancel culture in early 2021. “America Sees a Hue” explains the necessity for so-called cancel culture and why some of those who benefit from it, are fighting so hard against it.

Charly Ellington should be proud to wear her great-great-great-grandmothers wedding dress. Instead, the bodice is too tight, the skirt is too loose, and the dress comes with a century of expectations attached to it. As the daughter of the democratic presidential nominee, Charly is marrying Americas most eligible future senator to help her father get elected. But there is only one problem: Charly does not love Trenton Foxworth III. Worse yet, Charly wishes she was the one running for office...

WHEN A SINGLE MEETING TURNS TWO BEATING HEARTS IN ONE, WILL THIS NEWFOUND CURIOSITY OF LOVE BETWEEN A MAID AND A NOBLEMAN POSSIBLE BECOME SOMETHING MORE OR WILL THEY BOTH ACCEPT THE CRUELTY OF REALITY WHERE THERE IS NO HOPE.

Going through a foreclosure is very difficult. Preparing your children for it, even more so. It is important to ensure that children understand that everything will be okay and this is only a change in location. Moving or any change for that matter, always requires an adjustment in perspective and an understanding of the situation. "Why Do We Have to Move?" is the story of a foreclosure and how it effects a small family. It tells the story from the perspective of a 10 year old boy and take...

Enide’s tattered dress and Erec’s fabulous coronation robe; Yvain’s nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval’s fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominen...