A comparative study of Ming and Iberian theaters has never been attempted. Thus, this book aims to provide the reader with a series of different approaches. First, through a comparison of specific works by Spanish and Chinese playwrights during the Ming and Habsburg periods, we aim to show that at times certain commonalities are in reality spaces fraught with misunderstanding. A melancholic character in Spain would not be the same as a melancholic figure in Chinese theater. A particular pl...