Showing results for "professor jon hackett"
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Scary Monsters
Monstrosity, Masculinity and Popular Music
2021
EN
Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, su...
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- Columbia Themes in Philosophy
2015
EN
The renowned philosopher and political theorist presents a summation of his influential work in this series of Columbia University lectures.A pioneer in the fields of modern linguistics and cognitive science, Noam Chomsky is also one of the most avidly read political theorist of our time. In this series of lectures, Chomsky presents more than half a century of philosophical reflection on all three of these areas.In precise yet accessible language, Chomsky e...
Morrissey
Fandom, Representations and Identities
2011
EN
Known for his outspoken and often controversial views on class, ethnicity and sexuality, Morrissey has remained an anti-establishment figure who continues to provoke argument, debate and devotion amongst critics and his many fans. Focusing exclusively on Morrissey’s solo career, the collected essays in this important book make for a rich reading of Morrissey and his highly influential creative output. Working across a range of academic disciplines and approaches (including musicology; ethn...
Mad Men
Dream Come True TV
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- Reading Contemporary Television
2010
EN
Don and Betty Draper live in a picture-perfect world. He is a hard-living advertising executive - a 'mad man' - on the fast track. She's a Bryn Mawr graduate and former fashion model, now a suburban princess, mother of three children. If they've everything, why are they so unhappy? Why is their dream come true not enough? This book explores, analyses, celebrates the world of "Mad Men" in all its aspects, and includes an interview with it's Executive Producer and an episode guide. Every few...
The Heist Film
Stealing with Style
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- Short Cuts
2014
EN
A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown A...
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- FOCI
2013
EN
In contemporary society, the cult of celebrity is inescapable. Anyone can be turned into a celebrity, and anything can be made into a celebrity event. Celebrity has become a part of everyday life, a common reference point. But how have people like Elvis Presley, John Lennon, Bill Clinton or Princess Diana impressed themselves so powerfully on the public mind? Do they have unique qualities, or have their images been constructed by the media? And what of the dark side of celebrity – why is t...
Subversive Horror Cinema
Countercultural Messages of Films from Frankenstein to the Present
2014
EN
Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Wa...
Theatre and AutoBiography
Writing and Performing Lives in Theory and Practice
2015
EN
That both autobiography and biography have acquired a position of unprecedented importance over the past 30 years is now obvious. Less obvious are the reasons for this phenomenon. Theorists and students of AutoBiography, a research subject now viewed as respectable in academic circles, have recently mapped the contours and shifting parameters of the autobiographical and the biographical processes, thereby contributing to the profile and stature of both.This collection brings theatr...
2018
EN
From classical Hollywood film comedies to sitcoms, recent political satire, and the developing world of online comedy culture, comedy has been a mainstay of the American media landscape for decades. Recognizing that scholars and students need an authoritative collection of comedy studies that gathers both foundational and cutting-edge work, Nick Marx and Matt Sienkiewicz have assembled The Comedy Studies Reader. This anthology brings together classic articles, more recent works, and origin...
Detecting Canada
Essays on Canadian Crime Fiction, Television, and Film
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- Film and Media Studies
2014
EN
The first serious book-length study of crime writing in Canada, Detecting Canada Canada’s most popular crime writers, including Peter Robinson, Giles Blunt, Gail Bowen, Thomas King, Michael Slade, Margaret Atwood, and Anthony Bidulka.Genres examined range from the well-loved police procedural and the amateur sleuth to those less well known, such as anti-detection and contemporary noir novels. The book looks critically at the esteemed sixties’ television sh...
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- Routledge Key Guides
2009
EN
Fifty Key American Films explores and contextualises some of the most important films ever made in the United States. With case studies from the early years of cinema to the present day, this comprehensive Key Guide provides accessible analyses from a range of theoretical perspectives.This chronologically ordered volume includes coverage of:Citizen KaneCasablancaPsycho
Subcultures
Cultural Histories and Social Practice
2007
EN
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London’s ‘Elizabethan underworld’, taking the rogue and vagabond as subcultural prototypes: the basis for Marx’s later view of subcultures as the lumpenproletariat, and Henry Mayhew’s view of subcultures as ‘those that will not work’. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions,...











