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Serious Play
Desire and Authority in the Poetry of Ovid, Chaucer, and Ariosto
2010
EN
Ovid, Chaucer, and Ariosto, premodern Europe's three greatest comic poets, found abundant cause for laughter in the foibles and follies of human desire. Yet they also excelled at the dangerous game of skewering the elites on whom they depended for patronage. The resulting depictions of addled lovers and rattled rulers create a unique dynamic of trenchant critique wrapped in amusing, enlightening, and disturbing fantasy, an achievement hailed as serio ludere, serious play, by Renai...
PHP3,934.19
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2003
EN
Accessible
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly v...
PHP810.89
In Dante's Wake
Reading from Medieval to Modern in the Augustinian Tradition
2015
EN
Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago.Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating...
PHP1,835.69
Dante's Tenzone with Forese Donati
The Reprehension of Vice
2011
EN
‘And by now, mind, it’s too late to redeem your debts by giving up guzzling.’Dante's poetic correspondence (or tenzone) with Forese Donati, a relative of his wife, was rife with crude insults: the two men derided one another on topics ranging from sexual dysfunction and cowardice to poverty and thievery. But in his Commedia, rather than denying this correspondence, Dante repeatedly acknowledged and evoked the memory of his youthful put-downs.Da...
PHP3,021.89
2011
EN
Dante Alighieri cited the Bible extensively in his Commedia, but also used his epic poem to meditate on the meaning of the Scriptures as a 'true' text. The Biblical Dante provides close readings of passages from the Commedia to explore how Dante's concept of Biblical truth differs sharply from modern notions.V. Stanley Benfell examines Dante's argument that the truth of the sacred text could only be revealed when engaged with in a transformative manner - ...
PHP4,197.09
2014
EN
One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her li...
PHP1,007.29
2016
EN
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion ...
PHP465.75
or Free with Kobo PlusTolkien Studies
An Annual Scholarly Review, Volume IX
2012
EN
Tolkien Studies: An Annual Scholarly Review presents the growing body of critical commentary and scholarship on both J. R. R. Tolkien's voluminous fiction and his academic work in literary and linguistic fields.
PHP2,518.29
Petrarch's 'Fragmenta'
The Narrative and Theological Unity of 'Rerum vulgarium fragmenta'
- Series -
- Toronto Italian Studies
2016
EN
Petrarch's Rerum vulgarium fragmenta, a collection of lyric poems on sacred and profane love and other subjects, has traditionally been viewed as reflecting the conflicted nature of its author. However, award winning author Thomas E. Peterson argues that Petrarch’s Fragmenta is an ordered and coherent work unified by narrative and theological structures.By concentrating on the poem’s reliance on Christian tenets and distinguishing between author, narrator and char...
PHP3,735.39
2012
EN
The first treatise ever written on the sociology of cities, On the Causes of the Greatness and Magnificence of Cities (1588) marked a radical departure from previous literature on urban centres. It provided a revolutionary analysis of how cities function, and of the political, economic, demographic and geographic factors that cause their growth and decline. Noteworthy too is Botero’s strikingly original use of sources in his analysis: moving beyond familiar classical and biblical ...
PHP2,560.19
Dante's Lyric Poetry
Poems of Youth and of the 'Vita Nuova'
- Translated by
- Richard Lansing
- Series -
- Lorenzo Da Ponte Italian Library
2014
EN
The first comprehensive English translation and commentary on Dante’s early verse to be published in almost fifty years, Dante’s Lyric Poetry includes all the poems written by the young Dante Aligheri between c. 1283 and c. 1292. Essays by Teodolinda Barolini guide the reader through the new verse translations by Richard Lansing, illuminating Dante’s transformation from a young courtly poet into the writer of the vast and visionary Commedia.Barolini’s commentary e...
PHP1,698.89
The World of Dante
Six Studies in Language and Thought
- Series -
- Heritage
1966
EN
In celebration of the 700th anniversary of the birth of Dante in 1265 the Dante Society of Toronto invited six internationally known scholars to address its members. Believing that the greatest tribute to Dante lies in the constant acquisition of a deeper knowledge of his work, the Society prescribed no common theme, but asked only that each paper should present an original contribution to Dante scholarship, deriving from the speaker's individual thought and research. Together, these contr...
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