From cinema’s most distinguished and ‘The best writer on film in our time’ (Michael Ondaatje) comes a masterful assessment of the whole sweep of movie history‘The movies traded on the liberation of secret desires—drive that car as fast as you can; turn your humble abode into a palace; conquer all the mean spirits in the world; be as free and winsome as the Tramp yet as rich as Charlie … Every lowlife can be a Corleone.’Every flicker of light has it...

How many acts of murder have each of us followed on a screen? What does that say about us? Do we remain law-abiding citizens who wouldn't hurt a fly?Film historian David Thomson, known for wit and subversiveness, leads us into this very delicate subject. While unpacking classics such as Seven, Kind Hearts and Coronets, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister ...

From one of the most admired critics of our time, brilliant insights into the act of watching movies and an enlightening discussion about how to derive more from any film experience.Since first publishing his landmark Biographical Dictionary of Film in 1975 (now in its sixth edition), David Thomson has been one of the most trusted authorities on all things cinema. Now, he offers his most inventive exploration of the medium yet: guiding us through each element of the viewin...

A deep—and darkly comic—dive into the nature of disasters, and the ways they shape how we think about ourselves in the world"In this brilliant book, David Thomson tells the story of how we came to make disaster and catastrophe our best friends—how we let terror cocoon and take over our imaginations to avoid seeing the things that really frighten us. Riveting and totally original."—Adam Curtis, BBC filmmaker and political journalist"Erudite. . . . Engaging. . . . A cri de coeu...

In 1975, David Thomson published his Biographical Dictionary of Film, and few film books have enjoyed better press or such steady sales.Now, thirty-three years later, we have the companion volume, a second book of more than 1,000 pages in one voice—that of our most provocative contemporary film critic and historian.Juxtaposing the fanciful and the fabulous, the old favorites and the forgotten, this sweeping collection presents the films that Thomson offers in respo...

In this triumphant work David Thomson, one of film's greatest living experts and author of The New Biographical Dictionary of Film, tells the enthralling story of the movies and how they have shaped us.Sunday Times, New Statesman, The Times, Guardian, Observer and Independent BOOKS OF THE YEARTaking us around the globe, through time and across multiple media, Thomson tracks the ways in which we ...

In Television, David Thomson whom Michael Ondaatje has called the best writer on film in our time turns his attention to the ubiquitous small screen and delivers a history of its revolutionary transformation. In just a few years, this immobile piece of living room furniture in front of which viewers had to sit at appointed times in order to watch a finite number of channels has morphed into a glowing cloud of screens that supply near-endless content as and when we want it.Thomson n...

In little more than a century of cinema - Birth of a Nation was one hundred years old in 2015 - our sense of what a film director is, or should be, has shifted in fascinating ways. A director was once a functionary; then an important but not decisive part of an industrial process; then accepted as the person who was and should be in charge, because he was an artist and a hero. But the world has changed. In a nutshell, the change takes the form of a question: Who directed The S...

For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone).This new edition updates the older entries and adds 30 new ones: Darren Aronof...

“A marvelous bombshell of a book, by one of our most formidably knowledgeable and insightful writers on film, it is filled with surprises and witty asides. Though Thomson is quick to pounce on the hypocrisies and historical omissions of some of these war movies, there is nothing compromised about his own daredevil judgments. We are in the hands of a master critic/essayist.”—Phillip LopateFrom one of the greatest living writers on film, a magisterial look at...

From 1865 to 1950, the multi-faceted world of the American West, its rich, colorful characters, and its many faces - historical, mythic, and cinematic - are captured in the story of a reclusive, elderly photographer and her friend, a writer of Western comic books.Two characters dominate the novel's foreground: a Georgia O'Keeffe-like figure, photographer Susan Garth, shrewd, cantankerous, reclusive, and still self-reliant at 80, and her longtime friend Bark Blayloc...

"An engaging primer on film history" examining the rise of movies, their influence, and the technology that conveys them ( New York Times Book Review).The Big Screen tells the enthralling story of the movies and their signal role in modern life: their rise and spread, their remarkable influence over us, and the technology that made the screen—smaller now, but ever more ubiquitous—as important as the images it carries.At first, film was a wak...