This collection of lyric epiphanies reveals the focus and refocus of sequences, the wily relocation of words in concrete poems, and the weird rhythms of sound poems. The poet's transforming imagination is democratic, generous, and inclusive. Even the sonnet form becomes a new experiment for a poet of questing and anarchic vision, unwilling to rest on rules. This volume includes Poems of Thirty Years, Themes on a Variation, and some 50 uncollected poems from 1939 to 1982.

Edwin Morgan is best remembered as Scotland’s foremost national poet, a bold, lyric voice who shaped conversations around queerness, politics and post-war life. But Morgan was also a restless experimenter working far beyond traditional verse. This book brings together, for the first time, the full range of his visual and sound poetry – from vibrant poster poems and surrealist collages to concrete poetry, cut-ups and poem-sculptures. It reveals Morgan as a major figure in twentieth-century ...

No wonder Edwin Morgan was Scotland's best-loved poet. His poems teem with lives and loves and are marked by an unusual love of the present and the future. He finds forms for themes and ideas just out of reach. In this collection poems both profound and witty are to be found: occasional verse that transcends its occasion, explorations of the human condition conducted with a virtuosic lightness of touch. A Book of Lives draws together the themes that inform his poetic world. The largest vis...

Edwin Morgan's original Selected Poems was published in 1985. It became something of a classic, selling in excess of 20,000 copies. But 1985 is a long time in the world of so inventive and irrepressible a writer as Edwin Morgan. He has published a new Collected and several volumes since then. The millenium New Selected brings readers up to date.It contains most of the 1985 volume, to which Morgan adds later poems. The complete sequence of Sonnets from Scotland appears in book form f...

Edwin Morgan 'catches in full sight' in his lyric epiphanies, in the focus and refocus of sequences, the wily relocation of words in concrete poems, the weird rhythms of sound poems. His transforming imagination is democratic, generous and inclusive. Even the sonnet form becomes a new experiment for a poet of questing and anarchic vision, unwilling to rest on rules. 'More than the work of most poets,' writes lain Crichton Smith, Morgan's poetry 'welcomes the twentieth century, with its gad...

One of the central figures of twentieth-century Scottish literature, Edwin Morgan was a prolific letter-writer. His correspondence, like his poetry, is wide-ranging, full of generosity and enthusiasm, and above all testament to his lifelong commitment to exploring the possibilities of poetry. This selection of his letters, spanning Morgan's full career as a teacher and writer, enables readers to track the development of his ideas, his friendships and his creative collaborations. At the sam...

This is the third Selected Poems by Edwin Morgan from Carcanet, but the first since 2000 and the first to cover the full range of his poetry from his first collection in 1952 to his last in 2010, the year of his death at the age of ninety. All his different voices speak here - animals, inanimate objects, dramatic monologues by people, (famous people, unknown people and imaginary people) - in a multitude of forms and styles - sonnets, science fiction, concrete, sound, his own invented stanz...

Edwin Morgan's Beowulf has been a popular standard translation for half a century. His version is a vigorous, spoken English and conveys the heroism, violence and pathos of the first English epic. The poem marks a key moment in Edwin Morgan's development, as he recalls: 'This translation of Beowulf was made in the last years of the 1940s and was published in hardback by the Hand and Flower Press in 1952. In the present Carcanet edition, poem and introduction have been kept the same despite...

Containing poems written by Edwin Morgan during the past six years, this collection looks at human life from a variety of perspectives, encompassing a range of themes, the foremost of which is history. This new work displays the author's characteristic willingness to experiment with a variety of subjects, from the history of cancer to the new Scottish parliament.

This is the third Selected Poems by Edwin Morgan from Carcanet, but the first since 2000 and the first to cover the full range of his poetry from his first collection in 1952 to his last in 2010, the year of his death at the age of ninety. All his different voices speak here - animals, inanimate objects, dramatic monologues by people, (famous people, unknown people and imaginary people) - in a multitude of forms and styles - sonnets, science fiction, concrete, sound, his own invented stanz...

MACCAIG * MORGAN * LOCHHEADThis book contains a selection of the finest work from three of Scotland's best-known and best-loved poets: Norman MacCaig, Edwin Morgan and Liz Lochhead. They have fascinated and charmed thousands of readers and listeners across Europe and America with the energy, humour and compassion of their vision.MacCaig's memorable celebrations of the physical world and the tragic-comic note of many of his short lyrics contrast strikingly with Morgan's poem...

In this haunting poem from the latter part of the nineteenth century, Scots-born writer James Thomson anticipated the modern age's nightmare vision of the city as a place of loneliness, alienation and spiritual despair. In contrast to the late Victorian confidence all around him, Thomson dared to face the possibility that the universe was utterly indifferent to human affairs. The strange and dark images in The City of Dreadful Night have become a landmark of modern literature, for...