This enduringly popular book has become a classic in the expanding and increasingly popular field of Gothic Studies. This long awaited new edition contains a new chapter on ‘Contemporary Gothic’, an expanded section on American Gothic and more discussion of the gothic in women’s film and writing throughout the book. It is also updated in relation to media and technology with further discussion of stage sensations and photography as well as engaging with all major texts and criticism since ...

One of the most profound thinkers of the twentieth century, Georges Bataille has only recently come to prominence in the Anglophone academy, partly through the influence of post-structuralism. Once seen as no more than a philosopher of eroticism and a writer of avant-garde pornography, Bataille is emerging as an absolutely central figure to discussions of culture, economy, subjectivity and difference.Batailleis the first volume of its kind to offer lucid, diverse and relev...

Monstrous media/spectral subjects explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present. It argues that emerging media technologies from the phantasmagoria and magic lantern to the hand-held video camera and the personal computer both shape Gothic subjects and in turn become Gothicised.In a collection of essays that ranges from the Victorian fiction of Wilkie Collins, Bram Stoker and Richard Marsh to ...

Horror isn’t what it used to be. Nor are its Gothic avatars.The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the qu...