The story of Waco's modern era starts with a disaster and ends with rebirth. In 1953, a record-setting tornado swept through the city's downtown, killing 114 people and destroying a century's worth of original buildings. From the devastation came an ambitious urban renewal project, an explosion in suburban developments, and several cycles of waning and revitalization in the downtown area. Baylor University's steady growth in academic excellence and national exposure kept the city on the ma...

Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: “There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached on...

Eric Ames draws on original archival research to provide fresh perspectives on Werner Herzog's breakthrough 1972 film, Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), which portrays an expedition by Spanish conquistadors led by Aguirre (played by Klaus Kinski) to find the legendary city of El Dorado. Ames explores how the film is remembered: for its breathtaking visual style and narrative power, but also for Herzog's tense, behind-the-scenes relationship with star Kinski. Di...

Over the course of his career, legendary director Werner Herzog (b. 1942) has made almost sixty films and given more than eight hundred interviews. This collection features the best of these, focusing on all the major films, from Signs of Life and Aguirre, the Wrath of God to Grizzly Man and Cave of Forgotten Dreams. When did Herzog decide to become a filmmaker? Who are his key influences? Where does he find his peculiar themes and characters? What role ...

This edition of Herzog on Herzog presents a completely new set of interviews in which Werner Herzog discusses his career from its very beginnings to his most recent productions.Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequentcollaborations with mercurial actor Klaus Kinski - including the epics, Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with ...

The only tie-in book for USA’s award-winning series MR. ROBOT, Elliot’s journal—Red Wheelbarrow—is written by show creator Sam Esmail and show writer Courtney Looney.Before and during the events of season two, Elliot recorded his most private thoughts in this journal—and now you can hold this piece of the series in your hands. Experience Elliot’s battles to gain control of his life and his struggles to survive increasingly dangerous circumstances, in a bra...

Andrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s.Although he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic Andrei Rublev - widely regarded as one of the greatest films of all time - and the autobiographical Mirror, set during the Russia of Stalin's purges in the 1930s ...

Based on the famous series of dialogues between Francois Truffaut and Alfred Hitchcock from the 1960s, the book moves chronologically through Hitchcock's films to discuss his career, techniques, and effects he achieved. It changed the way Hitchcock was perceived, as a popular director of suspense films - such as Psycho and The Birds - and revealed to moviegoers and critics, the depth of Hitchcock's perception and his mastery of the art form.As a re...

Profiling the canonized figures alongside recently-established filmmakers, this collection features interviews with Lars von Trier, Søren Kragh-Jacobsen, Thomas Vinterberg and Henning Carlsen among many others. It poses questions that engage with ongoing and controversial issues within film studies, which will stimulate debate in academic and filmgoing circles alike.Each interview is preceded by a photograph of the director, biographical information, and a filmography. Frame enlarg...

Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their i...

From the unbridled sensuality of silent Italian films, to the neorealist classic Bitter Rice, to the astonishing imagination of Fellini and the more cerebral and fascinating movies of Antonioni, Italy has a filmic legacy unlike that of any other nation. And then there are the popular movies: the lively sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento. All the ...

Fred Zinnemann directed some of the most acclaimed and controversial films of the twentieth century, yet he has been a shadowy presence in Hollywood history. In Fred Zinnemann and the Cinema of Resistance, J. E. Smyth reveals the intellectual passion behind some of the most powerful films ever made about the rise and resistance to fascism and the legacy of the Second World War, from The Seventh Cross and The Search to High Noon, From Here to Eternity, and Jul...