How the history of art begins with the myth of the barbarian invasion—the romantic fragmentation of classical eternity.The history of art, argues Éric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, norther...

Die Krise der Moderne und der auf sie antwortende Modernismus markieren den Übergang vom 19. zum 20. Jahrhundert. Im Ersten Weltkrieg und den sich an ihn anschließenden Revolutionen manifestierten sie sich auf dramatische Weise. Dieses Buch geht den Beziehungen zwischen den neuen sozialen und politischen Entwürfen dieser Zeit - Planungsdenken, Neuer Mensch, totaler Staat - und den künstlerisch-intellektuellen Avantgarden nach, vom italienischen Futurismus über das Bauhaus bis hin zu deren ...

Fire and Blood looks at the European crisis of the two world wars as a single historical sequence: the age of the European Civil War (1914-1945). Its overture was played out in the trenches of the Great War; its coda on a ruined continent. It opened with conventional declarations of war and finished with "unconditional surrender." Proclamations of national unity led to eventual devastation, with entire countries torn to pieces. During these three decades of deepening conflicts, a ...

This work traces the changes in classical Marxism (the Marxism of Karl Marx and Friedrich Engels) that took place after the death of its founders. It outlines the variants that appeared around the turn of the twentieth century—one of which was to be of influence among the followers of Adolf Hitler, another of which was to shape the ideology of Benito Mussolini, and still another of which provided the doctrinal rationale for V. I. Lenin's Bolshevism and Joseph Stalin's communism. This accou...

For sixty years, different groups in Europe have put forth interpretations of World War II and their respective countries’ roles in it consistent with their own political and psychological needs. The conflict over the past has played out in diverse arenas, including film, memoirs, court cases, and textbooks. It has had profound implications for democratization and relations between neighboring countries. This collection provides a comparative case study of how memories of World War II have...

Romanticism is a worldview that finds expression over a whole range of cultural fields—not only in literature and art but in philosophy, theology, political theory, and social movements. In Romanticism Against the Tide of Modernity Michael Löwy and Robert Sayre formulate a theory that defines romanticism as a cultural protest against modern bourgeois industrial civilization and work to reveal the unity that underlies the extraordinary diversity of romanticism from the eighteenth t...

The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of def...

Reconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school’s history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received.Contributions from leading scholars writing in the field today – including Frederic J. Schwartz, Magdalena Droste, and Alina Payne – offer an entirely new treatment of the Bauhaus. Issues such as art and des...

One of the most intriguing questions of our time is how some of the masterpieces of modernity originated in a country in which personal liberty and democracy were slow to emerge. This Companion provides an authoritative account of modern German culture since the onset of industrialisation, the rise of mass society and the nation state. Newly written and researched by experts in their respective fields, individual chapters trace developments in German culture - including national identity, ...

The stereotype of masculinity embraces many qualities. To be manly one must be brave, daring, and cool under fire. A man must be physically strong--tough, skillful, dexterous. And one must also be honorable, honest, and courteous. A man must not complain. A man must not lose control of his emotions. A man must not cry. Even today, many men would accept these qualities as defining masculinity. But how did our idea of manliness evolve? How long have these qualities been the norm? And will th...

This synoptic essay considers the nature and evolution of the Marxist theory that developed in Western Europe, after the defeat of the proletarian rebellions in the West and the isolation of the Russian Revolution in the East in the early 1920s. It focuses particularly on the work of Luk�cs, Korsch and Gramsci; Adorno, Marcuse and Benjamin; Sartre and Althusser; and Della Volpe and Colletti, together with other figures within Western Marxism from 1920 to 1975. The theoretical production of...

How the different narratives of four historians of architectural modernism—Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri—advanced specific versions of modernism.Architecture, at least since the beginning of the twentieth century, has suspended historical references in favor of universalized abstraction. In the decades after the Second World War, when architectural historians began to assess the legacy of the avant-gardes in order to construct a cohe...