It turns out not even witchcraft can defeat child custody laws, and Kate is forced to spend the summer with her completely odious demon father. Worse yet, he intends to force her to do a soul coin deal at the end of the summer.Plus, both of her best friends have become pregnant at the exact same time, which means something weird is going on... and the guy her father assigns to be her combat trainer is a vicious taskmaster – except for when he's actually being kind of sweet... but t...

Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre “from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of “Rethinking the Maternal” in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay “Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway’s Native Guard

Growing up homeschooled on the Renaissance Festival circuit is weird enough, but when you’re the daughter of a powerful binding witch who makes a living as a fortune teller, and your best friend is a middle-aged sari vendor, weird is relative.Fifteen-year old Kate Roark desperately wants to be a witch but isn't - yet. It’s not likely at her age until she meets the Fortune Taker and gets a taste of unimaginable power - but at what cost?Forced to choose between keeping stolen...