“The fusion of text with music is one of the most powerful methods by which a composer can express emotion to an audience, yet, all too often, the diction of choral groups is lacking to such a degree as to make the text unintelligible.” So argues Duane R. Karna, who in The Use of the International Phonetic Alphabet in the Choral Rehearsal brings together 30 essays by experts from around the world to describe how the character symbols of the International Phonetic Alphabet (IPA) can be used...

“HUMANIZATION OF BUILDINGS. THE NEOLITHIC RITUAL OF BURYING THE SACRED” Mehmet Özdogan TO WEAVE OR NOT TO WEAVE? TEXTILE PRODUCTION AND THE DEVELOPMENT OF A TECHNOLOGICAL HABITUS IN CYPRIOTE PREHISTORY Luca Bombardieri, Giulia Muti SAME SAME BUT DIFFERENT: A COMPARISON OF 6TH MILLENNIUM BCE COMMUNITIES IN SOUTHERN CAUCASIA AND NORTHWESTERN IRAN Barbara Helwing, Tevekkül Aliyev CHRONOLOGY (AND CHRONOLOGIES) OF THE KURA-ARAXES CULTURE IN THE SOUTHERN CAUCASUS: AN INTEGRATIVE APPROACH THROUGH...